| The banners of Guzang Festival is one of the most important sacrificial items in the moon-mountain hinterland of Lujiang County in southeastern Fujian Province,and it is also the most distinctive Guzang Festival symbol in the region.The colorful drum-hidden pattern vividly expresses the many connections between the Natural Environment and village life on which the Miao people live,and the metaphor of the Hmong ancestral history,as well as its unique artistic expression and aesthetic expression.The author combines the existing Guzang Festival materials obtained by the field investigation method and the literature-related literature of the method of Guzang Festival,in-depth exploration and analysis of the artistic characteristics of the Guzang Festival patterning,finding out the unexplored elements of folk symbols and related patterns,extracting the Guzang Festival pattern theme,composition,expression,expression and cultural background used in the design of new folk costumes,to create a new sense of visual interest,The ancient patterns used in the sacrificial ceremony exude new charm of folk art symbols in the context of modern costume design.Mainly through: First,the imitation and inheritance of the pattern of the banners of Guzang Festival,dispersion and reconstruction,exaggeration and error,simplification and graffiti and other modern design techniques to refine and re-design;Third,the pattern is good for linen,cotton hemp and hand-made wool fabrics on different fabric carriers to interpret the new visual expression;To realize the inheritance and innovation of the art of swinging bay Guzang Festival patterns.It can arouse the emotional resonance of modern people to traditional culture and bring new enlightenment to the design of new folk costumes. |
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