Maoba Lacquer Production Technology And Its Regeneration

From the perspective of "intangible cultural heritage",this paper studies the techniques of Maoba Lacquer in western hubei.On the basis of in-depth field research,the author draws lessons from bourdieu's theory of "cultural reproduction" and focuses on the contemporary changes of skills and their regeneration.Based on the overall thinking of the interaction between the history,culture and behavior of the craft,this paper constructs an innovative way of thinking for the contemporary regeneration of the craft from the theoretical level.As a kind of decoration and aesthetic symbol,the traditional Maoba Lacquerg technique conveys and expresses certain cultural information and social attributes,and is a symbol of the local ethnic culture.The regeneration of skills,in essence,is a problem of cultural adaptation.In the specific cultural form,there has never been a transcendental cultural practice,and the close connection between culture and social change is an important reason for cultural transformation.As the product of different historical periods,production methods and living conditions,the technique of making dam paint is the result of adapting to the specific natural and social environment.Whether it is the transformation of the form of skills,the production mode of skills,or the cultural inheritance of skills,it is the choice of skills to try to find their own survival and value in the modern society in the face of the current situation.From the point of view of the whole process of skill regeneration,the value conflict between various subjects in the inheritance "field",the deviation of the understanding of the concept of skill reproduction,the inherent dilemma of cultural ecological remolding,the change of skill and the division of skill and technology,etc.As a result,skills have been attacked and restrained by the forces between the current social and economic development and individual demands,and the continuity and situational nature of skills have been gradually eroded and nibbled away.In the face of the current situation of survival,we can only understand its predicament,sort out its survival context,and investigate the cultural embodiment and cultural integrity of craftsmanship from the perspective of bottom-up integrity.Through the creative transformation and creative expression of the concept of "reproduction" of skills,as well as the selection of new models in the inheritance "field" and the exploration of methods and degrees,this paper attempts to construct a new meaning of integrity of skills that is universally needed by cultural subjects and Shared by multiple subjects.In this way,can make the Maoba Lacquer Production Technology regeneration process produces "resultant force",let the technology back to life,let "see people see things see life" protection concept become a reality.