Research Constents Is Jewelry Design By The Forms Of Chinese Shadow Puppets

The Chinese shadow puppetry is the traditional folk art of China,and it is one brilliant pearl among the Chinese traditional national culture.Along with the changes in the lifestyle of people,the shadow puppetry art is not only extended by the means of traditional shadow play,but also the aesthetics it contains is also lurked in the design of other fields,such as animation,graphic design and product design etc.I will take the shadow puppetry art as the research direction,try to expand the manifestation pattern of jewelry art,as well as perform the jewelry creation by taking the shadow puppetry as the theme,and enrich the connotation of jewelry culture.This paper carries out the discussion from three aspects:First of all,according to the cultural gene concept raised by Micheal Polanyi and Richard Dawkins,the writer divides the shadow puppetry culture into the explicit cultural gene and tacit cultural gene,and performs introduction to them respectively;Secondly,it analyzes the inter-community between explicit cultural gene in the shadow puppetry art and jewelry design through the comparison research method,and it is able to obtain through comparison that the shadow puppetry has the inter-community with jewelry art to some extent,thus the manifestation pattern of shadow puppetry art can be borrowed in the jewelry design;Finally it concludes the jewelry design methods under the influences of shadow puppetry art etc.In terms for this design,the writer takes the Chinese traditional fairy story Nezha Conquers the Dragon King as the script,carries out the jewelry creation through applying the new manifestation pattern of shadow puppetry,enriches the connotation of jewelry culture,re-display the charm of shadow puppetry by the means of wearing,and enables the shadow puppetry culture to glow new charm in the new era.