| Aesthetic and moral directives present in the twenty uncollected stories that precede publication of The Catcher in the Rye suggest that the novel can be read as a war story and/or a comment on the genre of war stories. As such the stories exhibit a particular "aesthetic morality" that condemns to the "phoniness" of movies, especially war movies. Clues that suggest Catcher was written as an alternative to a more straightforward war story include soldier characters that prefigure and resemble Holden Caulfield in voice and mannerism and an overall aesthetic-moral philosophy regarding the negative effects of war stories. Other topics of discussion include "the movies," the link between compassion and familiarity with death, phoniness, and the power of music. |