Research On The Artistic Style Of Qin Jianjun's Image

Today's tricky media methods are occupying this era,and every day there are tens of thousands of visual images or visual images flooding our eyes.As a carrier for transmitting information and recording history,photography satisfies many people's desires for life and at the same time meets people's desire for artistic expression.When the existing creative methods do not have the power to carry personal desires,how to carry out individuals in a more free space The expression of ideas is particularly important.Qin Jianjun created image works in a unique photographic language,which brought us a brand new visual experience.He is taking a marginal "reverse photography" road.He broke through the limitations of photography and painting,and in the opposite way cleverly merged the two into his creation,creating a new way of visual expression.It also intervenes in the image twice with rigorous composition and picture selection,to convey to the audience the inner world beyond the picture and difficult to express.This form of expression between photography and painting,erratic between abstraction and figuration,can be said to be a great extension of the creative power of contemporary photography.This article is mainly divided into four chapters: The first chapter introduction clarifies the research purpose,research methods,research status and innovation of this paper.The second chapter explores the photographic expression of Qin Jianjun's image art,which is mainly divided into the following three parts: explaining the relationship between photography and art;according to Qin Jianjun's creative methods,he uses photographic language and secondary creation to carry out the artistic expression of images,especially the secondary intervention picture The special expression of the;another analysis of Qin Jianjun's creative purpose from the difference between the characteristics of photography and the characteristics of art.The third chapter mainly compares Qin Jianjun's image art works with traditional Chinese paintings,highlighting the oriental philosophy and national connotation contained in his works.In addition to a profound understanding of Chinese paintings,his works also convey philosophical thoughts on Youxuan consciousness and respect for "Zen" culture,all of which are demonstrated through work analysis.The fourth chapter reflects on the enlightenment brought to me by Qin Jianjun's image works,thestrong desire of artists born before and after the reform and opening up to open their minds and express their spirit,and some critical thinking about Qin Jianjun's image art.