| Since contact with contemporary ink,after years of practice.Only now do we really think about the theoretical content of contemporary ink painting.Read a lot of contemporary Chinese ink texts and Internet push.The theoretical research and academic evaluation of contemporary ink painting began in the past decade.The proposition of contemporary ink is also put forward by academic critics after the beginning of modern ink to experimental ink to urban ink.There are still some controversies on the proposition of contemporary ink,but compared with experimental ink,urban ink or new ink,the proposition of contemporary ink is more perfect and reasonable.If we want to know and understand the artistic form of a period,we must explore it from its own composition and characteristics of the times.Of course,it is far from enough to know only from these aspects,which can also be said to be one-sided.There are too many links related to artistic expression.It is not clear through one or two articles.This requires a large number of texts,works and practical experience to support.In this paper,through my own practical experience combined with the theoretical text related to contemporary ink,starting from the carrier of contemporary ink,and then through the understanding of the carrier,I will pay attention to the characteristics of contemporary ink in the current era and the emotion and thinking of artists under the art ecology.These aspects are briefly described in the composition elements of contemporary ink art and the positioning of contemporary ink in the context of contemporary art And pattern. |