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Explore The "sense Of Form" Of Images In The Creation Of Contemporary Chinese Landscape Oil Paintings

Posted on:2020-05-21Degree:MasterType:Thesis
Country:ChinaCandidate:M Y TianFull Text:PDF
GTID:2435330605963000Subject:Arts
Abstract/Summary:PDF Full Text Request
Landscape oil painting is mainly to depict the natural scenery as the object,with oil painting materials for painting creation.Its colour expression is rich and exquisite,administrative levels is bright.However,in the exploration and development of image expression in contemporary Chinese landscape oil painting,combined with the special environment and atmosphere of our nation and the creation elements of eastern aesthetic art,the landscape oil painting with image style gradually developed.In contemporary Chinese landscape oil paintings,some works are called "image" landscape oil paintings because of their image "sense of form".However,"image" landscape oil painting is in the stage of exploration and development,and there is no more standard definition.,therefore,this article will with images of contemporary Chinese landscape painting creation of "form" carries on the practice and explore this topic,not the image oil painting as an art school to study,but in a landscape painting images on the basis of the art "form",from "images" in contemporary China landscape painting origin,the image of "form" in the form of language and picture meaning and image of "form" inspired ideas for individual three aspects are analyzed.The first chapter,based on the origin of "image" in contemporary Chinese landscape oil painting,discusses the integration and innovation of image expression between traditional Oriental culture and western landscape oil painting from the sources and influences of "image",historical and cultural background,and the concept of image "sense of form".Images in art,the article refers to "form" is a form of art language and picture meaning caused by two aspects,on one hand refers to the image of line,color and form the shape language of form,on the other hand is combined by the means that the form of the image produced by implication in the picture.The second chapter,as the theoretical basis of image "sense of form",mainly analyzes the form language of "meaning" written with "meaning",the color of "meaning",the form language of "meaning" obtained from "meaning",the meaning of poetry and painting,the meaning of the picture of the virtual and real meaning,and further analyzes it by enumerating examples.The third chapter is one of the important chapter of the paper,on the basis of landscape painting imagery "form" form the theoretical foundation of the language and image meaning,from creative thinking and analysis,trying to stage,and reflection on part three analyzes the image of the creation of the "form" to the influence of personal,focus on analysis of creative thinking,put forward the image of "form" need to be observed in the creation and lenovo,freedom and order,emotional conversion think three levels of ability,for example demonstrated and analyzed.Combined with the above theoretical guidance,I made a creative attempt,summarized the problems in the trial stage and reflected on them,and finally made a new attempt in my creative practice.This paper explores the artistic space of image expression in landscape oil painting from the two parts of subject matter processing and picture organization,and further summarizes personal creation experience and records the feeling of creation.The image "sense of form" in landscape oil painting has brought a unique perspective and broad prospects for the development of today's oil painting.Through the exploration and analysis of the form language,image implication and creative thinking of the image "sense of form" of contemporary landscape oil painting,the author can combine theory with practice,guide individual creation practice,enrich artistic expression forms,and make the image expression of landscape oil painting have contemporary characteristics and better meet people's aesthetic needs.
Keywords/Search Tags:landscape painting, image "sense of form", morphological language, aesthetic implication, creation
PDF Full Text Request
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