Research On He Luting's Music Creation Criticism Thought

He Luting,as a distinctive music critic in the modern and contemporary music age of China,delivered a variety of criticism,covering music creation,music education,and music performance.In the paper,He Luting's critical text in the field of music creation was taken as the research object,and the methods of dialectical materialism and historical materialism were used to explore the connotation of his critical thought of music creation.He Luting's music creation criticism thought has experienced three periods,each period has different core connotation.During the Anti-Japanese War,his creative criticism thought adhered to "national character" as the core,emphasizing that the content of music creation should reflect the national spirit of saving the nation from subjugation and ensuring its survival,and the form of music creation should have the national style.During the period of new China's construction,He's creative criticism thought was largely based on "technicality" as the core.In his view,the main problem of the creation of songs at that time was "generalization",and the main problem of symphony and opera creation was "simplification",which were largely rooted in a lack of creation technology among composers.Therefore,he was committed to correcting composers' wrong misunderstanding of the creation technology and to wiping off the obstacles for the technology learning.In the new era of reform and opening up,He's creative criticism was centered on "idea of serving the people",noting that music creation should take the idea of serving the people and improving the people as the purpose.Through the analysis of each period,the author thinks that the essential connotation of he Luting's creative criticism is that the creation should have the content of the times and the national form.Based on the study of the development of Luting He's critical thought of music creation and the exploration of its essence,the author tries to further improve the research of his musical thought system from the perspective of music creation criticism.On the other hand,The author also hopes to provide practical significance for the further development and prosperity of contemporary music creation and music criticism through the research of this topic.