A Study On The Short Play In The Qianjia Period

The Zaju in the Qing Dynasty has seldom been noticeable in the history of Chinese drama.The single-fold short drama as a product of the innovation of the Qing Zaju in the Qianjia period is even in a state of paralysis.However,through investigation,it can be found that there are many works with profound connotations and high levels in the single-fold short dramas of the Qianjia period,which deserve to be appreciated,valued,and studiedIn the introduction part,It mainly discusses the significance,research status and research methods of the single-fold short drama in the Qianjia period.At present,most of the studies in academia pay attention to the macroscopic overview of the single-short dramas in the early Qing Dynasty and the Zaju in the Qing Dynasty,or focus on the individual single-fold short drama series in the Qianjia period,and rarely treat the single-fold short drama in the Qianjia period as a whole.As a result,the papers in this area are relatively scarce.The first chapter mainly carries out the author explains the general situation of the single-fold short drama,the difference between the single-fold short drama and other dramas in the Qing Dynasty,and the reasons for the prosperity of the single-fold short drama in the Qianjia period.Through consulting a large number of books and materials,the author examines and sorts out that the number of the single-fold short dramas in the Qianjia period is 146,including 132 works(including 2 books of residual songs),which can be seen at present.The second chapter discusses the ideological connotation of the single-fold short drama in the Qianjia period,that is,the emotion of the loyalty,the pursuit of the ancients,Sympathetic infatuated woman's writing style,the care of the people's livelihood,the propaganda of the Buddhist and Taoist thoughts,Express personal feelings,and the song of birthday and meeting the God?The third chapter analyzes the artistic characteristic of the single-fold short drama in the Qianjia period,and discusses it from three aspects:Writing features,system features and literati features.The basic features of the single-fold short drama include the short and fine system,the expression form of melting oneself into the play,and the clear and elegant language style.The modality features are expounded mainly from the use of the color system,the music and the singing,and the use of the "media" and the"section" three aspects.The literati features are mainly explained by three aspects:the literati writers group,the emphasis on the selection of historical subjects and the obvious desk orientation.The fourth chapter expounds the stage presentation of the single-fold short drama in the Qianjia period.On the one hand,the author reproduces the stage status of the single-fold short drama in the Qianjia period,and on the other hand the author explains the performance of the Qianjia period.It mainly accounts for the actors' accompaniment instruments,gestures,costumes,and the state of the stage.The fifth chapter discusses the inheritance and influence of the single-fold short drama in the Qianjia period.In the early days of the Qing Dynasty,the single-fold short drama came from the single-fold short drama of the Qing Dynasty.It inherits and develops the single-fold short drama in the late Qing Dynasty,mainly from the identity of the writer,the tune style of the work and the theme of the work.Aspect discussion.In the Qianjia period,the single-fold short drama continued the creation tendency of the single-fold short drama in the early Qing Dynasty.In the subject matter,it still puts its eyes on the ancients and ancient times,while the tune style has more dramas based on the Nanqu.Work.The content of the work and the style of the tune were further deepened in the short play of the late Qing Dynasty.In addition,the literary atmosphere of the Qianjia period also promoted the prosperity of the single-fold short drama in the Qianjia period.At the same time,objectively evaluate the advantages and differences of the single-fold short drama in the Qianjia period,and its influence on the art of later drama.In a word,the single-fold short drama of the Qianjia period should not be ignored in the development of history.Its unique artistic charm should be seen,valued and studied.