Research On Xiao Qian, A Literati From Beijing

In the history of modern Chinese literature,Xiao Qian is undoubtedly a very important writer,translator,editor and journalist,has a position in the Beijing style that cannot be ignored.As a member of the Beijing Style,Xiao Qian’ s literary creation has a strong Beijing style,but there is no lack of self-uniqueness.Its position in the Beijing Style is highlighted by the attitude of liberal intellectuals and the stand of adhering to literary freedom.At the same time,the special identity of his reporters and editors makes him and many other Beijing style writers have many differences,such as the dynamics of "normal" and "change" in his aesthetic orientation.Therefore,the study of Xiao Qian,who is a Beijing style writer,has the need to further explore and improve.This is also the original intention and purpose of this paper.In addition to the introduction and brief conclusions,this paper consists of three chapters.The introduction part mainly summarizes the achievements that Xiao Qian has achieved as a Beijing style writer in the current academic research.In the history of literature,the history of genre,and the related works on the study of Beijing Style,explore the existence of Xiao Qian’ s appearance in the Beijing Stylel,and combine Xiao Qian ’ s existing creative achievements and literary practice to initially explore Xiao Qian and Jing School in specific.The degree of relevance in historical context.The first chapter focuses on Xiao Qian’s creative achievements.Through the rich local flavors in his novel content,the form shows the diminishing storyline,paying attention to the poetic tendency of emotional expression,etc.The Beijing Style was found that his prose creation actively "intervened" in the turbulent real society in the 1930s,as well as the relatively confused life,which is consistent with the creative tendencies of most Beijing-style young writers.At the same time,he pointed out that Xiao Qian,as a Chinese journalist who is racing in the European battlefield,has become a unique existence among Beijing-style writers.The second chapter is from the "normal" and "change" of Xiao Qian’s literary thoughts,to see the aesthetic choices of the Beijing-style writers in the great era.As a Beijing-style liberal intellectual,Xiao Qian demonstrated in the historical context of the War of Resistance against Japan in the 1940s that he adhered to the literary freedom position and realized the close connection between literature and the real society and life.Similar to the Beijing-style writers represented by Shen Cong-wen,Xiao Qian also actively participated in the reorganization of the new social order and the re-creation of the nationality through the power of literary creation.The third chapter analyzes its significant contribution to the Beijing Style with the unique cultural temperament presented in Xiao Qian’s creation.It is believed that Xiao Qian ’ s identity as a editor to the "Small Park" has been revised,and the "Ta Kung Pao Wen Yi" has been expanded from the book review column to other columns,as well as to the "Ta Kung Pao Art Prize".It reflects Xiao Qian’s editorial strategy and talents,and also embodies the Beijing-style literary group.Xiao Qian played a practical role in the important publications of the Beijing Style,which made these publications have distinct personalities.