The Yangqin Concerto "Lishan Chi Ying" Is A Typical Performance In The Theory Of Music Aesthetics

As a "foreign" Chinese traditional instrument,the dulcimer’s musical expression can be seen in national music.Although the national circulation and development time is not long compared to other national musical instruments,the development of the dulcimer has a good performance in terms of music creation,performance,and even instrumental improvement.The dulcimer concerto "Lishan Chiying" is a modern dulcimer work created by Professor Liu Hanli for his original research,the 601 dulcimer.This work is a modern and innovative dulcimer work,not only in the music content,but also in the music content.The combination of art has made a bold attempt,and combined with the Chinese and Western styles,that is,retaining the traditional tonal characteristics of the Chinese folk music,combined with the Western tone structure,is an excellent work to improve the player’s technical level and music literacy.This article wants to deeply analyze the "Lishan Chiying",analyze the structure of the music,and personally interview face-to-face with the artist himself,Professor Liu Hanli,focusing on his creative origin,his creative background and his personal aesthetics of the dulcimer.Learn and ask.The article will combine the theoretical knowledge of the Chinese and Western music aesthetics and the research and discussion of the concerto "Lishan Chiying".It aims to integrate the representative figures in the Chinese and Western music aesthetics with the genre and the dulcimer’s creation.To express musical emotions through the essence of music with a deeper perspective.This thesis will consist of three parts: the first part of the text will briefly describe the historical background of the music composition,and further analyze the music structure of the music in combination with the background;the second part will summarize the contents of the consultation and interview of the same songwriter Professor Liu Hanli.The results of the interview are divided into two parts: the author’s creative path and his personal aesthetic thoughts,and they are separately elaborated.The third part will combine the contents of the first two parts and try to combine music aesthetics with the Chinese and Western music aesthetics.The viewpoints and contents related to this work are integrated with the music song "Lishan Chiying",and the musical expression of the dulcimer performance is explained in the aesthetic category.