A Discussion On The Performance Techniques Of Japanese Folk Style Works On The Electone

Electone performance of Japanese ballads mainly depends on the various effects provided by DATA,the performers' skills,and the cooperation between these two aspects.DATA refers to the different data files specialized for different double-keyed electronic organ pieces including the data of timbres,volumes,sound effects,depths,keyboard areas,rhythms,speeds,effects(reverberation,delay,etc.),keyboard identification parameters,and mobile switching registration information.Only under the joint action of performers and DATA can we show the unique charm of folk music through double-row keyboard electronic organ.Therefore,this paper first elaborates on the concepts of double-row keyboard electronic piano and Japanese folk style,then takes the Taiwanese version of Inland Hara "Tears Flash" as an example to analyze its music characteristics,main performance skills,and DATA in order to promote the use and development of folk style works displayed by double-row keyboard electronic piano.This paper consists of three parts:the introduction,the body,and the conclusion.The first chapter is a basic overview of double-row keyboard electronic organ.It briefly introduces the origin,development,working principle,common playing methods,and music reading methods of double-row keyboard electronic organ.The second chapter is an overview of the style of Japanese folk songs,mainly introducing the characteristics,temperaments,and main musical instruments of Japanese folk songs and the Background of "Tears Flash".The third chapter explores the performance skills and offers a DATA analysis of Taiyuan Edition of Inland Sea "Tears Flash",Chapter Three is the main focus of this article.It is divided into four sections to discuss the author of "Tears Flash".the background under which he created this masterpiece,the performance skills of the Taiyuan of Inland Sea edition "Tears Flash",and the DATA analysis of this edition of"Tears Flash." The advantages of Japanese folk songs and the music of different nationalities in the world can be manifested through double-row keyboard electronic piano.It is difficult to analyze the essences and the levels of difficulty of double-row keyboard electronic piano pieces.We cannot judge those pieces by counting the numbers of notes,relying on the densities of them,or listening to the speeds at which performers play those pieces.More importantly,the ways touching the keys are important.To decide which way to touch keys requires a full understanding of the musical styles and the players'performing styles.Therefore,before writing this paper,I listened to a large number of Japanese ballads.Through close contact with representative Japanese national musical instruments in various ways,I strive to provide further evidence to back up my arguments.