On The Folk World Of Yan Lianke's Novels

In Chinese contemporary literature,Yan Lianke is undoubtedly an "exclusive number".The multi-dimensionality,pluralism and rebellious nature of his novels make it difficult to classify him into any kind of literary trend.His novel creation has always focused on the folk.He wrote with the great enthusiasm and even the extreme passion to write the survival and death of the folk,development and predicament,evil and confession.The folks under Yan Lianke's works are essential and based on the ethics of living.He starts from the writing of the suffering of the folk and the digestion of suffering.The purpose is to ask the essence of the suffering of the folk.That is to say,folks are the symbol of contemporary China,and he is trying to find some paradox of modern civilization among the folk.This stubborn search for the essence of reality embodies the courage and responsibility of Yan Lianke as a writer.This article takes Chen Sihe's "Folk" theory as the entry point to explain the Folk field in Yan Lianke's novels.Specifically,why does Yan Lianke choose folk as the main writing object,what constitutes the Folk field under his pen,and what kind of essential questioning Yanlianke has through the writing of the Folk.The introduction part briefly summarizes the research status of Yan Lianke's novels,and combs Chen Sihe's "Folk" theory.The first chapter analyzes Yan Lianke's conscious choice of folk culture,on the basis of Yan Lianke's interviews,self-reports and literary chronology.In the first section,from the perspective of personal creation,analyze the shackles of Yanlianke in the literary ecological environment of the 1980 s and 1990 s.In order to establish "my writing," Yan Lianke turned to the folks for literary resources.In the second section,from the perspective of the background of literary history,this paper analyzes the findings of Yan Lianke's lack of realistic care and idealism in contemporary literature.The folks became a response to Yan Lianke's crux of contemporary literature.The second chapter analyzes in detail the writing of the Folk field.And take the Folk as the method to the modern civilization advancement introspection.The first section analyzes the restoration of the dilemma of folk ontology in Yan Lianke's novels.First,the original relationship between farmers and nature;second,the culture of farmers and power;third,the relationship between farmers and commodity markets.The second section analyzes folks to digest suffering through physical ethics.Civil suffering is essentially a harm to the body,but the folks use the body as a tool to digest the suffering,from passively accepting the body to actively controlling the body.The third section analyzes Yan Lianke's use of the folk as a method,and asks the reality of reality through the construction of the Folk field.The third chapter analyzes Yan Lianke's questioning the authenticity and legitimacy of his novels in the critics,and puts forward the creative idea of "realism" as a response.Yan Lianke Named the Folk field in His Novels with "Inner Reality".The first section analyzes Yan Lianke's true view.Yan Lianke emphasizes that truth exists only in the author's heart and is true in the subjective category.The second section analyzes the typical aesthetic paradigm pursued by "internal reality" is ugly offensive aesthetics.Yan Lianke's folk writing advocates facing the ugly negative factors that may be encountered in the private sector.Its aesthetic significance is to stimulate the pursuit of beauty in the negative evaluation of ugliness.The third section is based on the three novels after Yan Lianke's "realism",and analyzes the development and limitations of Yan Lianke's "internal truth" concept for folk writing.