In The Late Ming And Early Qing Dynasties, The Two Wang Shufeng Accepted Research

From Wei and Jin Dynasty to contemporary times,Erwang's calligraphy has classical significance in the history of Chinese calligraphy.With Wang Xizhi and Wang Xianzhi as the core,Erwang's calligraphy is elegant and magnificent,with complete legal system and broad inclusiveness and openness.Erwang's calligraphy works and artistic concepts have exerted an important influence on the creation and theoretical development of Chinese calligraphy,and the inheritance and promotion of Erwang's calligraphy style by calligraphers of different dynasties are also different.In the late Ming and early Qing Dynasties,influenced by political factors,aesthetic style and external environment,Erwang's style of calligraphy had a great influence on the development and style of Dong Qichang.Wang Duo and Fu Shan's calligraphers.In the late Ming and early Qing Dynasties,cursive calligraphy was also a gathering period.The style of calligraphy changed more and more,forming a situation of flowers blossoming.By studying the influence of Erwang's calligraphy style on the representative calligraphers in the late Ming and early Qing Dynasties,this paper clearly explains the basic situation of Erwang's acceptance of calligraphy style in the late Ming and early Qing Dynasties.This paper tries to explore the inheritance,development and innovation of the Erwang's calligraphy styles in the process of their acceptance of artistic ideas,techniques and styles,represented by Dong Qichang,Wang Duo and Fu Shan.