Semiotic Interpretation Of "Wu Linggu" In Pingding County

Folk culture is a kind of non-material traditional culture which is gradually formed in the long-term social life,which is influenced by various factors such as national history and regional economy,and is closely related to the specific cultural environment in which the people are located.The expression of the folk culture is diverse,and the dance arts exist in various folk culture activities,and the values of the national or the region are expressed through different types of works,and the aesthetic appearance and the like are aesthetic.The traditional culture of China is not only reflected in the literati's books and the mottled cultural relics,but also in the folk culture of the country of the city well.in the face of the folk culture.The indispensable folk art of dance,the author chooses its unique morphological characteristics and symbolic symbols to carry out the study,in order to explore the deep cultural connotation and significance of dance."Wuya drum"in Pingding County,Shanxi Province,is a folk dance art mainly expressed by body language,which embodies the spiritual and cultural features and historical morphological features of the ancestors of Pingding Ancient Prefecture,and is one of the unique folk culture of Shanxi Province.This article chooses "Wuya Drum"in Pingding County of Shanxi Province as the research object,through refining and sorting out the dance form of "Wuya Drum",interprets the symbolic meaning of formation method with the help of semiotics theory,and inherits the history of this folk custom activity.Cultural connotation and the cause of change are explained in detail,and a series of questions of exploitation,utilization,protection and innovation faced by the fleeting cultural heritage are sought.The main content of this paper consists of the introduction and three chapters:the introduction includes the purpose and significance of the topic,the research status and the research methods and the theoretical part;The first chapter mainly explores the historical origin of"Wuya Drum",which leads to the origin of"Wuya Drum"and the changing relationship between Wuya Drum and Wuya Drum,the ugly drum in different stages of historical development;The second chapter mainly analyzes the dance form of"Wuya Drum",and describes the characters,costume props,musical rhythm and array field diagram in its classic play"Zhu Tong 3Shangliangshan".The third chapter,from the perspective of semiotics theory,combines the theme of the creation of the Water margin and the creative theme of Wuya drum in the light of the theory of semiotics.The repertoire thought carries out the deep-seated cultural analysis of the role,dress and formation of the drum.In a word,this paper hopes to further promote the arrangement and excavation of the regional folk culture through the cultural research on the unique folk dance,the unique folk dance of the case"Wuya Drum",which is carried out as the concrete object of analysis.It helps to restore the lustre and provide some reference value for the inheritance and development of dance culture and folk culture.