The Dynamic Research Of Baguazhang And The Body Rhyme Of Chinese Classical Dance

In the history of human culture in China,the words "wu" and "dance" are common.Since its appearance,there has been the saying that "wuwu is homologous".Both dance and martial arts are products of Chinese traditional culture.Coexisted in the land of China,continually nourished by Chinese traditional culture,constantly regulated by Chinese classical aesthetics,formed a relationship with each other,but has different intimate relationships.The two originate from the same root and continue to differentiate in the development of history.Retaining their own characteristics has become an independent discipline in two different fields,but there are still many similarities in terms of physical training,sports routes and aesthetic orientation.The "momentum" extended by the concept of "potential",in the dance or martial arts,"moving momentum" is in a very important position,it is not only the steps necessary to lead the action,but also the appearance of body language..Through the discussion of the concrete manifestation of the Eight Diagrams Palm and the Chinese classical dance rhyme,the external analysis of the form and the thinking and the reflection in the perception,this paper aims to study and study the "moving momentum" of the Eight Diagrams Palm.From the excavation and sorting out the characteristics and strengths of the training of the Eight Diagrams in the palm of the hand,and then returning to the Chinese classical dance training,compare and analyze to further explore and refine,More possibilities,in order to enrich the Chinese classical dance training materials,to provide more for the body.