| The transformation of media technology has led to the renewal of social and cultura contexts.The micro-documentary is a type of documentary that was born under the influence of micro-cultures at the same time as micro-movies,micro-speakers,and micro-drama films.The character micro-documentary is a type of micro-documentary with the character as the center of expression.This thesis takes the graduation design "The Country of the Lost" as an analysis sample,and takes the narrative of the character micro-documentary as the research question,and explores the narrative strategy of the character micro-documentary.Compared with traditional media,the narrative subject of the character micro-documentary reflects the folk power,the narrative rhythm is brighter,the narrative festival is more concentrated,the character micro-documentary takes the characters Conduct emotional narratives for the center,emphasizing the "story" narrative.In the specific narrative strategy,the character micro-documentary should select the micro-themes" in the early stage of shooting,the "micro-characters" to meet.In the medium-term visual language presentation,the creator has to do a pre-step to make a script in the heart,use the small scene to express the emotions of the characters,and use the head-up shooting to enhance the dialogue with the characters.In the post-shooting narrative editing technique,the creator can adopt a single narrative group and a three-screen narrative structure,and at the same time play the narrative function of lyric language and music.Through the analysis of the text,this paper finds that the current character micro-documentary creation still has the following problems:"Text first"-the Narrative Festival relies too much on the commentary,"hunting performance"-excessive pursuit of the image’s irritability,"routine narrative"--The narrative structure has a singular tendency.In view of the above problems,this paper proposes an optimization strategy.The creator should make the commentary reasonably serve the narrative,coordinate the perceptual expression and authenticity of the narrative picture,and advocate the pluralistic development of the narrative structure. |