"Don Quixote" In The Era Of Capital Mythology

In the literary scene of the new century,cao zhenglu's creation is a unique literary phenomenon,inheriting the proletarian cultural heritage upward,and at the same time,the plot is abrupt,the emotion is radical,the pattern is solidified and so on.Cao Zhenglu populism,class of novel perspective,social analysis and so on in place of the plot is not only to the left-wing literature tradition,from the point of view of world literature,the literary creation of traditional to contemporary Chinese value loyalty and pursuit,persistence of fairness and justice and call for idealism spirit,such as exist in the spirit of Don Quixote east sequence in the history of literature.In the realistic context of the new century,cao zhenglu reconstructs the grand narrative with the help of the bottom,forms the tension between history and the present,takes the form of shock as the bottom voice,reveals the subject anxiety of intellectuals and the mirror intertextual relationship between them,and interrogates the soul of intellectuals through violence aesthetics and the bottom suffering.However,he adopts the narrative posture of "retrograde" to construct the radical and fanatical image at the bottom,release the irrational emotion to promote the development of the plot,and form the lack of historical rationality.However,cao zhenglu was able to maintain his writing consciousness,adjust his radical stance in the process of the change of the writing at the bottom of all his works,speculate and criticize the fall of the bottom in the form of "dialogue",gradually expand the writing pattern,and enrich the humanistic spirit of his literary creation.Therefore,"how to exist doubts" and "quixotic choice" became the starting and ending points of cao zhenglu's narration,forming the new century re-expression of the left-wing literary tradition.The first chapter,"new century continuation of left-wing literature tradition",studies the diachronic knowledge pedigree and synchronic public context formed by cao zhenglu's new century creation by means of literature field investigation and knowledge archaeology."National age of mythology" gene shaped Cao Zhenglu cultural codes,the history of contemporary Chinese left-wing cultural traditions became his spiritual self,in the social ideological trend to appear in the process of the "age of mythology of capital" emotion,"of the" rich and pain: both Hamlet type the question of the current social reality,and have a quixotic idealism and high power,the formation of a new century of the 30 s traditional left in place.In the ups and downs of the two spiritual temperament,cao zhenglu recognized the crisis of The Times in the traditional way of thinking of the left and responded with the blow of anti-modernity by the suffering of the bottom.The second chapter,"the dilemma and breakthrough of intellectual writing",finds that cao zhenglu's intellectual writing is to solve Hamlet's thoughts in the way of Don Quixote by means of the thematic research method of comparative literature.Under the strong tension between history and reality,the "post-50" intellectuals had unprecedented subject anxiety.Cao zhenglu used the intellectuals' humanistic feelings as Hamlet's gloomy background,which was not only his painful exploration in the lost situation,but also his questioning and criticism of the modern society.In this process,the leftwing literary tradition,which had been delayed since the 1930 s,enabled him to find strength in the bottom of the new century.The two were mirror images of each other,and the intellectual's uncertain spiritual dilemma was illuminated in the bottom reality.Finally,cao zhenglu pushes stones up the mountain in the form of Don Quixote's battle,and completes the spiritual reconstruction of left-wing ideals through grand narration.The third chapter,"the lack of historical rationality and self-adjustment" dialectically criticizes cao zhenglu's novel creation from the perspective of historical purpose.The class position in cao zhenglu's grand narration is the essential feature of left-wing literature in the 1930 s.His vigorous narration pushes from this cultural inertia to an irrational state of catharsis,and follows the conservative form of left-wing narration in form.However,from "there" to "ask the boundless",the dual questioning spirit from Hamlet style enables cao zhenglu to consciously adjust the narrative posture,gradually shed the underlying divinity in the creative process,and leave a bright tail at the end of the novel,which opens a window to historical rationality for his novel narration.