The Pen-and-ink Language Features Of Contemporary Ink-and-wash Figure Paintings Born In The 70s

Ink has a pivotal position in the history of Chinese painting art,this article will research object orientation in contemporary ink figure painting ink language after 70,analysis and explore contemporary ink painting after 70 in the context of contemporary figure painting ink language characteristics,can help us more clear understanding of the contemporary ink figure painting ink language art after 70.The paper is divided into four chapters:The first chapter mainly from the traditional ink figure painting ink language characteristics to realism ink exploration to the contemporary multi-brush space with its representative figures and representative works for a brief analysis,for the following analysis of contemporary post-70 ink language lay the foundation.The second chapter briefly discusses the development status of contemporary figure painting brush and ink language from two aspects: the change of the background of The Times and the influence of the change of aesthetic concept on the post-1970 s and the performance of brush and ink.The third chapter analyzes the characteristic application of "line" and "ink" in representative painters of the post-1970 s and their representative works from two aspects of "line" and "ink".The fourth chapter describes the influence of the brush and ink language of the contemporary post-70 s ink figure painting on the author in terms of creative ideas and techniques,as well as some existing problems.On the whole,the brush and ink language of the contemporary post-1970 s ink figure painting has the following characteristics: first,the artistic appearance expressed is obviously different from that of the traditional freehand figure painting,which is manifested by the innovation in inheriting the fine tradition;Secondly,it has a very subtle relationship with the western cultural theories.Thirdly,creation is closely related to the current social culture and profoundly reflects the spiritual outlook of people's production and life.Fourth,the linguistic features of brush and ink are more diversified and more inclined to the directness of language expression.Fifth,but at the same time,we should also be alert to the fact that the language of some post-70 s ink painters is more blind and hasty in response to the strong stimulation of a commodity society,with obvious and excessive characteristics.