The Use And Singing Analysis Of Ethnic Music Elements In The Works Of Indian And Cypriot Military Brigade

Yin Qing,one of the famous military composers,once served as the head of the Chief Political Song and Dance Troupe.His vocal music works are well known all over the world.Among his vocal music works,military music is the most important.In Mr.Yin Qing’s works,most of them are good at incorporating the local unique national characteristics and the elements of the times into them,forming their own unique style of music creation,and further reflecting the profound connotation of our national music culture.In the existing research,there are more analysis on the characteristic style of Mr.Yin Qing’s vocal music works,and less research on the combination of national music elements and singing used in military works.Therefore,this paper makes a deep analysis of the national music elements used in military works by Yin Qing,through the analysis of the music ontology of songs.It combines theory with practice,so as to have a better grasp of the style and emotion of songs,capture the inspiration of music,and pave the way for the second creation in the future,so its research significance is not small.The author has made the following arrangements on the content of the paper for the study of the music works of Yinqing.The introduction elaborates the research background,current situation,methods and innovations of this paper.In the first chapter,the Indian Qing and its military works are introduced.On this basis,the Indian Qing’s creative process and works are briefly classified,and the related concepts are briefly summarized,which provides a theoretical basis for the following research.In the second chapter,the creative techniques and applications of the elements of national music in the works of the Indian and Qing Army are discussed.The elements of national music are deeply analyzed from the aspects of mode,tonality,structure,rotation and sequence.In the third chapter,the representative works of the Indian and Qing Army are selected for singing analysis.Chapter Ⅳ summarizes the full text by analyzing the national music elements used in the works of the Indian and Qing Army and the singing characteristics of the second creation.