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The Physical Dimensions Of Chinese New Poems Since The 1990s

Posted on:2019-09-12Degree:MasterType:Thesis
Country:ChinaCandidate:G MaFull Text:PDF
GTID:2435330551959278Subject:Chinese Modern and Contemporary Literature
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On the whole,since the 1990s,the historical consciousness of Chinese modern poetry is always obvious.The historical consciousness emphasized in poetry since the 1990s aims to appeal to poetry's ability to deal with reality,which is reversed to the " pure poetry" fashion in the 1980s.The current study of poetry in this period mostly focused on the general description of the historical tendency of poetry,however,how the historical consciousness performance on the text is so vague that it leaves us with a vague impression.Based on this,this paper will takes the "body" as the core of the investigation elements and try to analyze the body writing in poetry since the 1990s.This paper will research poetry how to deal with social theme on the details of the text and poet how to express historical consciousness through the management of poetry form.The " body writing" used in this paper is different from the concept of "writing body".Specifically,the body writing discussed in this paper includes not only the theme characterized by sexual discourse such as pornography,but also the object of cultural theoretical value such as body image and body politics.The first chapter " pornography in poetry",taking the theme of pornography in poetry as the center,will analyze the different poets' pornographic way:porn in Chen Dongdong's poetry takes"cost" impulse as the driving force,which pornography as a hub linkage,including writing,a variety of experience;Sun Wenbo and other poets prefer to do comedy treatment of pornography,sexual frustration is a typical plot,at the same time,this kind of pornographic comedy is used as a means of political allegory;In Zang Di,birch,pornography beyond other mechanical ideology as the highest principle,showing a strong hedonic temperament.The second chapter," body image in poetry",focuses on the body image in poetry and the eyes to observe these images.Poet Wang Xiaoni observed the eyes of manual workers,in a sense,contains the desire to rebuild good ethics;In Chinese acrobatics:hard chair,Zhong Ming constructs the whole poem through the eye relation of"seeing/being seen",and the body posture becomes the main object of the eye in the poem,which derives a series of " posture politics".Another form of body image presentation in the 1990s poetry,we can call it " the geography of the body"-through metaphor,establish intertextuality between the body and geography,both convey the poet's experience.The third chapter " the life politics of the body in poetry",from Foucault's sense of " life politics" to give attention to the body in poetry.Huang Canran reveals the city people's health in a very daily tone,his narrative tone is more insipid,the more shows that the lack of health is a normal;Ouyang Jianghe is very sensitive to modern science and technology,especially the " transformation" of science and technology to the body.in his poems,he expressed pessimistic views on this by " formal ideology".Finally discussed is Xiao Kaiyu several poems.From the point of view of the political problems of life dealt with in these poems,Xiao Kaiyu's body in the poem with a mind-boggling neuroticism,but a detailed study of the poet's intention,can be seen when he launched a criticism of the distinctive specificity and pertinence.It is this characteristic that makes it possible for the interaction between contemporary poetry and intellectuals.
Keywords/Search Tags:Chinese Poetry in 1990s, Body, Pornography, Body Image, Life Politics
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