On The Aesthetic Characteristics Of Shi Shuqing's Novels

The tide of market constantly shocks the spiritual home,which may make people gradually dissimilatory in commodity fetishism after they experience the twilight of idols.In the unbalanced cultural space,"Xihaigu" gradually shows its profile in the literal blurry territory.As for Shuqing SHI,who enjoys the relatively closed "secluded"microenvironment,he pursues tenaciously the values and meaning of the survival and life by virtue of the practical logic in the rural life,with the spirit from Mohammedanism.His literary articles are full of regional features,agrestic colorism and religious atmosphere,and his words are filled with calm passions,reserved style and humble connotation.Moreover,his footsteps wander between the "divinity" and "humanity",and his thoughts linger between the "Moon" and "Sixpence".This paper mainly makes relatively systematic analysis on the novels of Shuqing SHI from four dimensions of narration,image,religion and hardship by taking the aesthetic features as the focal points.The first chapter is narrative dimensionality.First of all,it makes analysis on the narrative contents from several aspects,such as the aesthetic ideology,regional characteristics,the religious features,the criteria of selecting talents,the manifestation and attitudes of the figures,etc.to make relevant discusses.Then,I utilize the concept of "space-time" in narratology to analyze detailedly the relevant texts of Second grandpa,Orchard,Knife in the Clean Water,etc.,aiming to explore the aesthetic features.Finally,I make analysis on the language concept,vocabulary usage traits and the rhetorical characteristics of the overall style to seek for the linguistic features from the perspective of language expression.Since narration is the basics of forming the novels,the analysis on the narration is the key points and basis.The second chapter is dimensionality of images.The novel images have two categories---the life form and non-living type.In the first category,I mainly make analysis on two animal images of "cow" and "sheep" and two frequent character images of "senior" and "woman" to analyze the relations between them.In the second category,I analyze three pure natural images,such as the "moon",the "stars" and the undefi led"clear water",and the image of "grave" with human factor that represents the final fate to make analysis on the relevance of "nature" and "personal element".It is to seek for the beauty of images in the novel based on the subject-object relation and religious spirits.The third chapter is religious dimensionality.It surrounds the topic of "religion" to make relevant analysis from four aspects.Firstly,I summary the traits of Islam,the effects of forming Hui nationality and national literary tradition,and the influences on current writers brought on by such traditions.Secondly,I discuss the concept on osmotic religious opposite shore from two aspects of "religious rites" and "daily life" to highlight the transcendent aesthetic features.Thirdly,I describe the universal meanings on the clean spirit traits of religion in the paper from two perspectives of internal and external activities.Moreover,I narrate the holiness of aesthetic factors in the paper from two aspects of "humanity" and "divinity" and the relevant religious aesthetic feeling.The fourth chapter is the dimensionality of misery.I encircle the topic of "misery"to narrate from three perspectives.First of all,I expound "territorial hardship" and"residential misery" of "Xihiagu",and the "difficult discourse" of the narrative subjects in synchronicity.In addition,I describe the experiences on hardship of the authors,and the influences on the aesthetic connotation made by the spatial transformation.Moreover,I compare the differences on the views of life and death between Han and Hui nationalities to highlight the ways that religions focus on the hardships,like the"residential misery" brought on by "territorial hardship".Furthermore,I reveal the beauty of sublime during the process of resisting the religions,from which I express the lofty aesthetic features and the reserved manifestation mode in the paper.All in all,according to the gradually profound analysis from "language layer" to"image style" and to "implication layer",I narrate the aesthetic characteristics in the novels of Shuqing SHI by combining the "internal study" with "outside research".