Trauma Experience And Image Salvation

Human life has never been traumatized.In the face of the problems caused by trauma,we have always scrutinized it and actively sought the best form of salvation.Kitano Takeshi is a Japanese director who has enjoyed an excellent reputation internationally after Akira Kurosawa and Ozu Yasujiro.He carries a rich and painful life experience and interprets his unique film world and completes his life.The sentiment,the redemption of the wounds.Based on trauma theory,the main part of this paper is divided into three chapters.The first chapter is the discussion of the causes of Kitano's trauma.It mainly digs deeply from the three parts of native family,social life and national culture.The cold-blooded father and contradictory mother in the native family left the first traumatic memory for Kitano.The ups and downs in the process of social encounters have also left a psychological mark on him.However,the contradictions and dysentery in the national culture are inevitably dipping into his life.The second chapter mainly analyzes the image projection of Kitano's traumatic experience.The most important feature of a traumatic experience is repetition.Looking at Takeshi Kitano's movies,there are always the characteristics of these three aspects,which are mainly manifested in the repeated expressions of the wandering motif,the aesthetic style of Jane Jin storm,and the tragic attribution of emotional cognition.Kitano chose to put his own wounds in the movie,hoping to share it in the movie and be redeemed in the sharing.Thus,a series of expressions of trauma were made in the movie.The lack of father-loving motherly love,the drift of life after the war,and the influence of the samurai spirit prompted Kitano to continue to wander,hoping to find the answers he wanted in his hometown.Father's violence,war violence,violence of the gang,violence of the chrysanthemum and knife made Kitano Take a deeper and more profound understanding of the violence and formed his own unique style of violence.The poverty-stricken families,hard working lives,and gangsters have turned Kitano into an optimistic pessimist.The third chapter analyzes the image salvation of Kitano's traumatic experience.Mainly from the construction of lens visual language,the expression of film and television sound,the profound meaning conveyed by the symbols in the film and the deconstruction of artistic creation.First of all,Kitano Takes a picture of his pain through the lens,in order to achieve reality,mobilize everything that can highlight the real lens.Second,the characters are expressed more profoundly in fewer languages and the thrifty language is filled with the tremendous power of music.Once again,it places its own emotions and expresses its inner desire through metaphorical symbols.In the end,efforts were made to deconstruct the pain,and all kinds of tragedies and cruelties were subverted and deconstructed.Human society is a traumatic community.There has never been a lack of trauma.Whether it is collective or individual,it has always been wounded and salvaged.Kitano Takeshi has been advancing in his exploration,using his own unique way to convey to us his understanding and love of movies,and to find the best way to heal wounds.