On The Narrative Paradigm Of Shandong Local Novels Since The New Period

In the 20 s of last century,In the collision between Chinese and western culture,The news illuminator represented by lu xun combines western modern literature theory with traditional Chinese culture,and opens up the unique genre of "local novels".After more than half a century's development,this novel type has formed a systematic and complete theory.In the new period,with the vicissitude of local culture and the further introduction of western literary theory,local novels in the new period are more diversified in writing content and creative skills.As a major province of the vernacular novels in the new era,With Mo Yan,Zhang Wei,You Fengwei,Wang Fangchen and Liu Yutang as representatives,Shandong native writers in the new era,together with the local culture full of Shandong culture,create the unique narrative paradigm of Shandong's local novels in the new era.Therefore,combine the method of close reading with the generation context of Shandong's local novels,this thesis explores the common features of Shandong's local novels in the narrative perspective and narrative way,and reflects on the creation dilemma of Shandong's local novels in the new era.The first chapter of this thesis discusses the narrative style of the local novels of Shandong in the new period,mainly studies the narrative style of the local novels of Shandong in the new period from the following three aspects:The view of folk narrative,Multidimensional historical perspective,The desire narration of the Shandong local novels in the new period in the intersection of the original vision and the ethical vision.The second chapter of this thesis discusses the context of the generation of Shandong local novels in the new period,mainly analyzes the causes of the creation of Shandong's local novels from the following three aspects:,Confucian culture and clan concept,,the transformation of rural history and the impact of urban civilization,And the influence of these cultural factors on the narrative paradigm of Shandong local novels.The Third chapter of this thesis discusses the narrative angle of the Shandonglocal novels in the new period,mainly explores The narrative angle of the Shandong local novels in the new period from the following four aspects: the Intervening narrative perspective coexist with The narrative perspective of liquidity,The integration of the temporal narrative perspective and the spatial narrative perspective,The interweaving of the perspective of childhood and the perspective of adults,the mingling of he narrative perspective of rural people and the narrative perspective People away from home.The fourth chapter of this thesis combined with the analysis of the three chapters ahead,discusses the problems of the creation of Shandong local novels in the new period from the following three aspects:the writing dilemma of local novels in the process of Urbanization,The other`s narration of the local novels,the local novels covered by the suffering writing and the consciousness of ugliness.