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Social "Mirror Image"—Research On Modern Chinese Genre Painting

Posted on:2019-11-23Degree:MasterType:Thesis
Country:ChinaCandidate:L L SongFull Text:PDF
GTID:2435330545988985Subject:Art
Abstract/Summary:
From the end of the nineteenth Century to the beginning of twentieth Century,the western ideology and culture were introduced into China,and this led to the transformation of Chinese culture and art.As a painting form to describe the real life of people,the genre painting reflects the folk custom life of people in different times and regions.It is not only an important part of Chinese painting,but also the most close to people’s life and art appreciation.Therefore,the genre painting provides an important way to understand the social and historical features,which is different from the written records.It shows us the customs and the secular life of different regions.At present,most studies on the field of Chinese genre painting are concentrated in a certain period in ancient China,such as the Song Dynasty,Ming and Qing,and so on.This article tries to take modern Chinese genre paintings as the research object,and makes a systematic and thorough analysis and summary of modern genre paintings,thus reflecting the historical changes of modern Chinese society.The modern folk painting studied in this article refers to all paintings that are based on the secular life of real people.The modern time range discussed in this paper refers to the period from the beginning of the Opium War to the establishment of new China.Taking modern Chinese genre paintings as the research object,through the comparison,analysis and comprehensive methods,this paper first carding and summarizing the characteristics of the genre painting under the background of the social and historical development of ancient China,and then developing the modern Chinese genre paintings from the aspects of economy,science,technology,politics and thought.The social causes are summarized and summarized.This article focuses on the content depicted in modern Chinese custom painting.Through the analysis and discussion of the process of the changes in the development and changes of modern Chinese society and the content of the genre painting,we examine the modern society of China from the four aspects of the mirror refraction of modern science and technology,the change of clothing and clothing,the change of life style,and the new rules of ethics.A change in the club’s experience.The structure of this article is as follows:The introduction part,first of all,the origin and significance of the study of modern Chinese genre painting,and then summarized and collate from the angle of theoretical perspective,and summarized the research situation at home and abroad,the research methods and the innovation of the research.The first chapter is an overview of genre painting,which briefly describes the meaning of "custom" and the concept of genre painting and defines it.The characteristics of the genre painting are summarized,and the general situation of the development of ancient Chinese genre paintings is systematically combed.According to the development law of the ancient Chinese custom painting,the development of the ancient Chinese custom painting,the spring and Autumn period,the Warring States and the northern and Southern Dynasties,the Tang and the Song Dynasties,the Yuan Ming and the Ming Qing Dynasty,the development of the genre paintings are discussed in detail.It summarizes the characteristics of ancient Chinese genre paintings and distinguishes them from modern genre paintings.The second chapter is the social cause of the development of modern custom painting,and analyzed the social causes of the development of modern Chinese genre painting from the aspects of economy,science,technology,politics and thought.The third chapter is the social mirror of modern folk painting.From the different contents of the genre painting,it is divided into four sections.The first section is the mirror refraction of modern science and technology.The relationship between the development of modern social science and technology and people’s daily life is examined from the two aspects of the scientific and technological transformation of transportation tools and the scientific and technological transformation of the living infrastructure;the second section is the change of clothing and clothing.The clothing from "hide" to "dew",hair hairstyle from "braid" to "haircut",the foot from "bondage" to "liberation" three levels to analyze the changes in clothing and clothing in modern society and its essential reasons;the third section is the change of life style,from the family life style and leisure life style two dimensions to analyze modern society.People’s new lifestyle;the fourth section is the new ethics training,from the two dimensions of family ethics and social ethics to examine the new changes in the relationship between modern social ethics and morality.The fourth chapter is the characteristic of modern custom painting.The three characteristics of modern folk painting are summarized,that is,commercially secularized aesthetics,realistic expression methods and westernized aesthetic orientation.The concluding part summarizes the content of the full text,and points out that the development of modern Chinese genre painting reflects the theme of the social changes in modern China,and highlights the significance of this study.
Keywords/Search Tags:custom painting, modern, aesthetic change, social change, mirror image
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