On The Individualization Of The Expression Language Of Contemporary Ink Figure Paintings

As a particular academic term,The prosperity of "contemporary ink painting" has obvious realistic opportunity and academic basis.First of all,using "contemporary" as the space and time orientation of painting exploration,The research scope and connotation have been clearly divided.The so-called "contemporary" is not so much a modern description of the innovative features of the ink language.Rather,the introduction of the "contemporary" spirit of the whole concept of "ink painting","Contemporary" is not only the specific artistic language updating,but the ultimate goal of artistic language innovation--the contemporary spirit.In view of this,"ink painting" represents the specific refinement of artistic language and creative techniques.The relationship between the two should be the "contemporary" spirit of "ink" language,"ink" language practice "contemporary" spirit.Only in such a logical interaction,the path of artistic exploration can be combined with both theory and practice,so as to be able to walk on two legs.The old saying goes,"the constant should change",but in the present,what should be done is "to change the strain".In other words,through the awareness of the spiritual and social features of the present era,the self-correction of the ink and ink language achieves the ideal artistic effect.Admittedly,this is what "contemporary ink" should be doing and doing.However,the first question is: what should be drawn and how to draw it? This is a difficult problem,which is to locate and search for what and how to draw.Since the 1980 s,what and how to draw has become a big problem for painters and theorists to think about the future of painting.In the "contemporary ink",there is a commonality that the landscape of the author's pen has a distinct current.In other words,with the conceptof new realism,creators are actively looking for narrative objects in contemporary life.Among them,the character with the breath of time becomes the selective attempt that accords with new realism.In the 21 st century,the ink figure painting was once trapped in the plight of the miniaturization and "new literati painting".The exploration of the ink figure painting is completely in the form language.As the main body of the painting,it becomes a kind of empty symbol,which plays down the depiction of the characters and the inner world.In the meantime,"contemporary ink and ink characters" are seeking new words and expressions,combining emotional expression and inner world.In such a "contemporary ink figure" creative community and academic community,the purpose is to embody in the specified object is in the reality of caring attitude,and "how" to achieve this effect,becomes the second topic is discussed in this paper.The author thinks that,on the one hand,such as "contemporary ink figure" is not realistic specific technique,it is worried that eventually "retro",as some of ink and innovation,and it extends the creative space of the others,is beneficial to explore have practical meaning of the language.It is helpful to combine the traditional language with the new subject and expand the connotation of the painting language and the extension of the new theme.On the other hand,"contemporary ink people" advocated the inheritance and development of realistic humanistic care.This is not only a keen awareness of the current social problems,but also an extreme tendency to prevent young artists from pursuing personalized brushwork.All in all,in the respect of creator's own artistic background and technique on the basis of trying to found and amplify the humanistic care and time spirit is "contemporary ink figure" foothold discourse strategies,the ultimate goal of the former is successful and the ideal expression,develop a new contemporary ink painting.In this paper,the specific logic and writing thesis framework is as follows: the first chapter,from the perspective of the interpretation of the contemporary ink figure painting language,promote contemporary ink figure painting appear and change and grow in The Times background of the environment and the trend of diversification.In the second chapter,the author analyzes the characteristics and generative process of the artistic language through the case study of the representative contemporary ink painting artist.Based on the observation and discussion of different perspectives,this paper sums up the phenomenon of diversified development of contemporary ink painting.Graduated from the third chapter,as the author's creation,mainly through the back in the theme author design,choice of art language and visual effect to adjust to the analysis of "water" in the subject in the process of the role,and its expression of silent and peaceful,no hurry not rashness to face the real world.Throughout the process,the author tries to express the true feelings of the present life by exploring the unique expressive language.