Talk About The Sensibility Of Actors In Shaping Roles

From the perspective of modern art development,in the process of integration of art and science and technology,art has been transformed into a pan cultural phenomenon,and the feeling of actors in the creative role is gradually becoming the source of the actor's creative role.In particular,there are certain differences in the process of playing the role of a drama actor and a film actor on the stage.This difference is mainly reflected in the way the actors use more sensitivity to shape their roles.In the performance creation,whether actors,roles or audiences,are communicating through feelings.This paper mainly expounds my understanding of the artistic creation of "feeling" and the use of my role in his own performance.The emphasis is on how to gain and improve the sense of feeling as a play actor.The thesis is divided into three parts.The first part mainly defines the definition of the definition of feeling and feeling force,and explains the necessity of the actors having the feeling force.The second part expounds the importance of the feeling force in the stage creation.In this part,the feeling force is both the source power of the performance of the actor and the purpose of performing the performance.The effective way,the third part,combined with the personal performance experience,from the opponent communication,role molding and the audience,environment interaction and role molding four channels,how to improve the sensitivity of the study.Through the training of the receptive force,the actor is promoted in the feeling,and the discovery is carried out to reach the realm of Stanislavski's theory that the process of shaping the role "from self" to "I is",and then to shape full and lifelike human objects on the stage.