Ancient Style And Vitality Imply Beauty—a Study On The Subject Of Wu Changshuo's Qing Offerings

The meaning of the Qing Dynasty for painting is not only elegant but also a strong flavor of life,and in the middle of Gao Jie.For painting relative to other theme China painting,not like those for these landscapes and flowers and birds as superior,so profound and ancient,profound artistic conception.The full text is divided into three parts to discuss Wu Changshuo's paintings of Qing Dynasty:the first part is about the origin of the Qing dynasty.The second part mainly through Wu Changshuo's biography,the characteristics of the painting,the influence of the painter and the representative works of Chen Shiceng and the analysis of the representative works to discuss the paintings of the Qing Dynasty and the Qing Dynasty in the part.The third part is the analysis of the theme of contemporary painters and the author's experience.Hope can through to the Wu Changshuo inquiry for the theme,so that in the current rise of the impetuous social environment,to meditate on the plot of the hotbed,the growing nostalgia of the wind.It not only extends the previous era of Chinese painting,but also inherits the traditional painting spirit of Chinese painting.But based on the plot of the nostalgia,nostalgia customs can easily lead to image aging rigid,parody nostalgia blindly,it is easy to choke on the creation of the progressive vitality.Adding modern elements in the process of painting,although the theme of traditional and modern subjects are different in form,but the combination can make its form and content are changed to a certain extent in both,both traditional painting language Chinese,yet modern means,to increase the vitality of China painting.