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Analysis Of Blending Of The Legal Culture Of The Song Dynasty And The Concept Of Hell In Dazu Rock Carvings

Posted on:2020-04-13Degree:MasterType:Thesis
Country:ChinaCandidate:Y WuFull Text:PDF
GTID:2416330572489897Subject:Legal history
Abstract/Summary:PDF Full Text Request
Since ancient times,the law has not been a dead letter composed of laws alone,But the actual operation state of all matters related to the law,we study the legal concept in hell,including the origin of the Hell court,the composition of the thought and the system contained in the hell view,and microscopic coverage of the people's understanding and evaluation of the concept of hell.Dazu stone carving is the last wonderful flower in the history of Chinese grotto after the four grottoes,the legal culture embodied in the Southern Song Dynasty reached its heyday,and its performance content presents the characteristics of regionalization and secularization,which is a direct historical material reflecting the legal culture of the Dazu region at that time.Firstly,it examines the legal and cultural background reflected by the Dazu Rock Carving Hell Concept.By explaining the influence of the Chinese local thought and political environment,the Song Dynasty legal culture concept has changed from the social standard to the individual standard value.The function of Buddhism is to suppress the people to meet the needs of the people.The change and the superior geographical conditions of Dazu have laid the ideological foundation for the mutual penetration of the Buddhist world and the legal world of the Song Dynasty.Any culture is produced under a certain historical background,Baoding Mountain Grottoes is the most representative stone carving art in the Dazu stone carving,in which the hell disguised map is large in scale and rich in connotation,which epitomizes the concept of karma of Buddhism,the concept of reincarnation and the idea of good punishment and evil in hell.The reason why the concept of karma is immersed in dazu stone carving is related to the thought of ghosts and gods in China,and after the introduction of Buddhism,the concept of Chinese law and culture has turned from social standard to individual standard value.Secular law,in order to beautify the image of law,began to absorb the essence of Buddhist precepts,The form took place from the repression of the people to meet the needs of the people changes,of course,the Southern Song Dynasty relocation also for the prosperity of the ancient Dazu created a geographical advantage,so for the Buddhist concept and the Song Dynasty law cultural thought of the mutual penetration laid the ideological foundation.In the second part of the article,the author uses the historical comparative study method of the Buddhist inferential author to propose the mutual integration of the concept of Buddhist hell world law and the legal ethics of the Song Dynasty.The third part specifically analyzes the interaction between the disguised form of hell and the judicial concept of the Song Dynasty,mainly reflected in: First,the "law of the law" in the Buddhist world of hell is the result of the integration of law and Buddhist commandments,and even the provisions of the law of the world.Directly integrated into the "law of the law",the second,through the comparison of Knife Hill Hell and Ling Chi,iron bed hell and guns,soup,hell and cooking and other hell experience and secular legal penal system in the way of execution,indicating that on the other hand hell The penalty in the concept comes from the secular society.On the other hand,the penalty of hell also provides a template for the torture of judicial officials in secular society.Third,the religious hell judges have joined the secular elements to varying degrees.In terms of form: the judicial prisoners of religious hell are the same as the officials of the Song Dynasty.The setting of the Buddhist Hell King is equivalent to the local governor,other officials of hell.The setting of the judge,Liu Cao and the jailer also took the slogan.The last part is the summary part of the full text.It is a characteristic analysis of the influence of the law of the Song Dynasty and the concept of hell embodied in the Dazu Rock Carvings: the concept of hell and the secular legal society of the Song Dynasty jointly demonstrated the concept of karma of the Song Dynasty,but whether it is the concept of hell or the Song Dynasty The essence of the law is the complete manifestation of the ruler's consciousness.It is the neglect of the objective reality to oppress the ignorant people.Therefore,neither of them plays a role in maintaining social stability.We must treat it dialectically.
Keywords/Search Tags:Dazu Rock Carving, legal cultural, hell, karma, Good and Evil
PDF Full Text Request
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