A Study On The Identity Construction Of Music Inheritors In The Context Of "Intangible Cultural Heritage"

As the living continuation of intangible culture,folk artists carry the essence of ancient folk traditional culture and skills.In the context of "intangible cultural heritage",the deep description and outline of the interaction between their individual and culture is undoubtedly the exploration to trace and analyze the root of culture.The research object of this paper is Li Xuehua,the representative inheritor of the national intangible cultural heritage of Lisu folk songs.The author attempts to reveal and demonstrate the identity construction process of the individual folk music holders from the micro perspective through the research method of the significance of musical anthropology,which requires the interaction of the inherent ethnic internal force and many external forces provided by the society Built.This paper consists of three parts: introduction,text and conclusion.The introduction mainly includes the reason for choosing the topic,the significance of the research,the purpose and content of the research,the theory and methods of the research.At the same time,it makes a detailed review of the research status and literature involved in the research topic.As an important field of musical anthropology research,the research object's natural ecological environment and humanistic features are bound to be outlined in this field,so as to provide the academic basis for the research on the origin of the object's identity construction.The text consists of four chapters,which are described as follows:1.Lisu's living environment and home imprint in Nujiang River Basin: the occurrence and evolution of music can not be separated from human history and natural geographical factors.In this chapter,the natural ecological characteristics,migration and reorganization history of Lisu's distribution area in Nujiang River Basin,as well as the group music and cultural memory are briefly described,which makes a basic and objective description for the following discussion.2.Music "capable person" in the context of Lisu's traditional life: this chapter,combined with oral history research method,makes a deep description of Li Xuehua from "Lisu People in the village society" and "Lisu folk music master".First of all,it analyzes Li Xuehua's life experience,social environment and characteristics of the times in the way of vertical combing.Among them,the influence of the traditional acquisition of Lisu folk music on him and how he acquired and established his unique musical ability are important narrative contents.Secondly,to capture the important causes of Li Xuehua's multiple identity construction from two aspects of self-identity and social identity with horizontal thinking is also one of the academic purposes of this study to outline a vivid and three-dimensional Lisu "musical talents" in the village society.3.Lisu music "capable person" in the context of "intangible cultural heritage" :this chapter describes the era background and social environment of the context of "intangible cultural heritage",and places Li Xuehua in the context of "intangible cultural heritage" from three aspects: as the inheritor of intangible cultural heritage,the disseminator of Lisu music,the Pathfinder and practitioner of local art troupe,how he shuttles in different fields under the guidance of social relations In the domain,it interweaves in the multiple relations between the self and the other,and practices the functions and meanings of intangible cultural heritage culture with specific behaviors.4.This chapter uses rice's theoretical model of "historical composition social maintenance individual creation",peeps at the macro from the micro perspective,and uses Li Xuehua's case of identity change to study and discuss how the individual in the intangible cultural heritage inheritor group gradually develops the inherent ethnic internal force through the "presence of the state" and many external forces provided by the society before the "intangible cultural heritage" and after the "intangible cultural heritage" To complete the process of identity construction.In the context of "intangible cultural heritage",the construction and research of music inheritor's identity is a hot topic in the academic field in recent years.It is also an urgent need for academic support from the government management level in order to amend and update the national strategy of intangible cultural heritage inheritor in different periods.Therefore,the main academic goal of this study is to provide a new case for the study of intangible cultural heritage music inheritorsin Yunnan ethnic areas by exploring the reasons behind the identity construction of individual music inheritors.