Artistic Psychology Analysis And Singing Treatment Of Opera Aria “Come On,Don't Be Slow”

Mozart was the greatest opera composer of the classical period,and his music embodied the perfect musical style of the classical period and expressed the ideal of pure music ? "The Marriage of Figaro" is a true portrayal of Mozart's 18th-century European social life,and the first opera in history to take civilians as the first main character,with epoch-making significance,is Mozart's 22 operas,"the most popular one",mainly satirizing the feudal nobles represented by the count of the false cruelty and the life of luxury,extolling the integrity,wit and courage of the people at the bottom,represented by Figaro and Suzanne,demonstrated the spirit of optimism that would prevail in the struggle against feudalism.Mozart's work is bright in style and beautifully melodies?He gives each character different characteristics,improves the artistic nature of the opera:on the basis of the magpie opera to add the character characteristics,the combination of operatic and profound to become a character comedy?Come on,don't be slow is a classic soprano sigh,with strong characteristics of the times?Through the study of this opera,as well as my own singing of the lament Come on,don't be slow,let me more aware that to truly complete an opera,not only to understand the opera itself,but also to understand the character's thoughts,singing the real feelings,so as to arouse the audience resonance ? Therefore,we should pay attention to improve the ability to appreciate opera,improve the ability to perform opera.This article is mainly to Suzanne's.Come on,don't be slow as an example,through the character series and plot analysis,to show the charm of opera and song characters;Through the analysis of the exclamation of works,art psychology analysis,singing processing three aspects to help it more comprehensive grasp of the essential characteristics of the role,grasp the plot,improve the singer's more vividexpression of opera characters.