The Analysis Of Music And Performing Characteristics For Chopin's "Scherzo In B Flat Minor"(op.31)

Friedrich Francois Chopin(F.F Chopin,1810—1849)is a Polish composer,a representative figure of European 19 th century Romantic music,and a pioneer of European folk music.Chopin's music creation is concentrated in the field of piano works,and the genre involves waltz,scherzo,narrative,nocturne,concerto,Mazuka,sonata and so on,which are known as "piano poets ".Chopin created four scherzo pieces as independent music,which undoubtedly made the development of this genre peak.Not only did he separate the genre from the genre and develop it into an independent piece of music,but he transcended Beethoven and gave it new qualities—dramatic,narrative,lyrical,and philosophical.Chopin's Little Tuned Scherzo b(op.31)is one of the most popular and poetic works of the four Scherzo.This work fully develops the expressiveness of the scherzo genre and the scale of the work,combining the Polish national characteristics with the creation experience and achievements of western European music since Bach.In the piano texture,harmony language,musical structure and piano playing art and other aspects of different degrees of innovation.On the basis of this,this paper takes "The Little Tuned Scherzo b "(op.31)as an example,carries on the music analysis to this work,then further discusses the performance interpretation of this work.This paper is divided into four parts:The first chapter: The introduction part includes the reason and significance of the topic,research status and shortcomings.Chapter 2: Through the analysis of music score and related text data,this chapter explores the music creation characteristics of the scherzo on harmony,stress application and multi-part texture.This paper holds that Chopin uses the unexpected technique of detuning and changing tone to enrich the harmony color;to promote the development of music emotion through the dislocation of rhythm stress and beat stress;finally,the use of multi-part texture also enriches the sound effect of music.Chapter 3: On the basis of the music analysis in Chapter 2,this paper further interprets the performance processing of this work.This paper holds that the performance should be carried out by emphasizing the harmony between the off-tone and the changing tone in order to reflect the dynamic nature of music development;to promote the music emotion by highlighting the conflict between the rhythm stress and the beat stress;finally,to highlight the balance between the hidden part and the multi-part to enrich the music level.The fourth chapter: The conclusion part mainly carries on the summary to this article.