An Analysis Of The Artistic Features And Performance Of Guzheng And Piano "Invitation To Wine"

The Guzheng and Piano "Invitation To Wine" is one of the pieces performed by the author in the second degree-concert(commissioned by the composer).The topic of this thesis is that when the author combined the performance experience during the re-creation,she repeatedly discussed with the composer and revised it to form a consensus.Thus,the author has a further interpretation of musical language and expression of performance techniques in "Invitation To Wine".This paper starts with the composition of "Invitation To Wine",explores and analyzes the piece from the perspective of music,and makes a theoretical review to form the conceptual basis for the re-creation in performance;Combined with the actual performance experience,it clarifies the concept and method of re-creation;Finally,it focuses on the performance techniques,and expounded the exploration of this piece on the aspect of performance techniques.The author uses "Invitation To Wine" as an entry point to explore the theoretical and practical analysis of the performance possibilities of the premiere pieces,helping the players to have a more comprehensive and in-depth understanding of the technical treatment of the new pieces and the understanding of the playing concept,so as to provide reference texts and technical support for the research and performance of similar topics in the future.