The Study On The Workplace Roles Relationship Of Chinese Films In The 21 Century From The Interaction Theory

In contemporary society,workplace space and interpersonal relationship are already the core existence space,lifestyle and interaction mode of people,and have become the main proposition of the role relationship design of Chinese films after the new century.Throughout China's social changes since the reform and opening up in 1978,the social reform process of the closed society and market environment in the early 1980 s until the early 21 st century entered the global capitalist market.In this process,industrialization,information and modernization dominated the blueprint for urban reforms shaped the urban space as the core picture of contemporary existence.Among them,the core social situation built around the urban space,that is,the workplace situation,fundamentally changes the cultural practices and existence methods of individuals and groups,resulting in social interaction from the family relationship of the local society to the workplace relationship of the urban society.As a result,since the 21 st century,more and more Chinese films have chosen the professional field of modern cities as the background,using social reasoning models to construct narrative strategies and relationship designs that respond to current social psychology.Interact with society to explore the possibility of existence of individuals and groups in the urbanization wave.Social interpersonal communication has become an important way to explore the spiritual world of contemporary people.Taking social interaction theory as a research method and analyzing the character relationship design strategy in the workplace context,it can provide creators with a reference to present the spiritual world of contemporary people.On this basis,the core idea written in this article is: Movies are narratives that construct relationships,and role relationships mean social interactions that prescribe contextual categories.From this,a core research framework was developed: on the one hand,social interaction originated from the perspective of self-expectation and social expectation,and the socialized person 's cognition and expression of "self" consciousness,this cognitive structure determines the character " The decoration strategy and performance design of "Impression Management" is transformed into the internal driving force for the role to participate in the relationship interaction,which constitutes the social identity and expectation of the role built by the individual self,collective self and relationship self.On the other hand,by diachronically sorting out the process of the formation of the workplace space of Chinese movies and the historical evolution of textual construction,the characteristics of the relationship between film design workplace situations and roles in different periods are determined,and the research categories are delineated.So far,film narratives in different periods are inseparable from the design of hypothetical situations and game rules,and are closely related to the interactive space constructed by subjective and objective interaction spaces,implicit and explicit rules,thus forming the basis of the interactive cycle.Therefore,the "self" cognition and situation rules of different indications of people or characters jointly shape the role script and existence field of people or characters,and establish an interactive cycle using symbolic symbols as a communication medium.Among them,individuals and groups the encoding and decoding of interactive symbols affect the distribution of roles in the process of circulation,and become a mutagenic factor in fermenting the interactive nature,turning into an "instability" narrative strategy in film creation.At the same time,the interactive relationships of different natures can be divided into workplace interactions defined by grade,gender,emotion,and mixture,covering the basic relationship types of domestic movies.With the diversified workplace situations derived from the digital society,the metaphor shows that the research on the role relationship is not limited to the solidified workplace,but should be extended to other fields such as virtual workplace.Finally,the research on the role relationship of Workplace Movies in the 21 st century should not be limited to text analysis and strategy application,but should also use social psychology,social communication and social reality as a reference system,and reverse reasoning on the relationship between workplaces the transsexual effect finally constructs the connection between the movie text and the social and historical context.