Research On The Evolvement Of Chinese Traditional Music Performance

With the development of society and technology,in order to seek the way of inheritance and development,Chinese traditional music evolves and develops from its performance form.The traditional and inherent performance forms have been broken.The contemporary Chinese traditional music performance forms not only mirror the performance forms of other kinds of art,but also make full use of the modern music concept and lighting stage design to achieve a rich stage display,which giving the audience a strong visual impact.Fujian NanYin,known as the "living fossil" of Chinese music,has a long history.NanYin's development is very significant in recent years,not only in lots of new works,but in breaking through a variety of performance form from the nature.It is typical of Chinese traditional music performance in the form of innovation and development.This paper is divided into two parts: Introduction and main text containing four chapters.The introduction part shows the research background,research scope and methods,research innovation as so on.The first chapter is a overview of Chinese traditional music performance forms and NanYin.The second chapter starts with the evolution of the performance forms of the Fujian NanYin,conducts research on the classification of different performance forms of the Fujian NanYin and describes specific examples under different categories.The third chapter choose some new works from Quanzhou NanYin orchestra and Xiamen NanYin orchestra to analyze the performance form of NanYin innovation in detail.For example,The dance epic “Song of Everlasting Sorrow”,cappella chorus “fun”,Oratorio “Song of the Golden Stone”,etc.this paper illustrate the NanYin's in much aspects,and also highlight the changes of NanYin through the development of it.Finally,the research of performance innovation in Fujian NanYin has a certain reference value,suggesting that the development of Chinese traditional music modern innovation is inevitable.As it is known that the change appearing to contemporary aesthetic can produce partial undesirable effect,this paper put forward the point that the development of Chinese traditional music performance form should seek innovation in nature.