On The Humanistic Spirit Of Realistic Printing In Sichuan

Based on the "humanistic spirit" as the fundamental key,in the history of modern art in sichuan,for historical clues,by the 1950 s,for representative artists in sichuan range image research,trying to analysis the embedded in his works within the "humanistic spirit" self-restraint,this for the engraving art creation has a certain theoretical and practical significance.This paper discusses the connotation of "humanistic spirit" from three levels.At the first level,through tracing the origin of "humanistic spirit",the different expressions of this spirit in the context of traditional and contemporary art are extended,as well as the unique features in the connection between print works and humanistic connotation.The second level is the focus of this paper.Through the analysis of the works of six representative painters in the history of modern edition painting in sichuan province,the real reflection of "humanistic spirit" in their works is mapped,and then the important context of "humanistic spirit" in the history of modern edition painting in sichuan province is linked.The third level is the author's reflection and care on the "humanistic spirit" in contemporary printmaking to highlight its value in contemporary creation.The research emphasis of this paper is based on the representative sichuan modern BanHuaShi pieces,dig the "humanistic spirit" of the work value,let the artistic creation of contemporary artists in print or,blend in "humanistic spirit" of thought connotation,its cultural depth and rich artistic taste,make work to elegant,healthy and positive direction.