Research On Self-identity In Yulin Pan's Self-portrait

The research on "self",as an important issue that has been explored in human development,has never been terminated.Self-identification is an issue that must be experienced in people's life.By analyzing and asking what is "self",people can better understand their behavior and activities,as well as spiritual pursuits,and researching on self-identity is also the best way to explore the inner mysteries of the individual.Yulin Pan,as the first group of Chinese female painters studying abroad in the early 20 th century,has the research value given by the times,Yulin Pan has her own unique and charismatic value in artistic achievement because of her unique growth experience.The Yulin pan's self-portraits as an incision to study the self-identification issue expressed in self-portraits is introduced in this article.The purpose is to explore the rich spiritual connotation in Yulin Pan's self-portraits,the complicated and entangled changes in her self-identification.The author here analyzes her self-portrait by using the professional knowledge of painting techniques to elaborate her self-cognition expressed in different self-portraits.At the same time,the author also analyzes Yulin Pan's self-identification at different moments in combination with other painting subjects.This article is divided into three chapters.The introduction mainly explains the origin and significance of the author's research,Yulin Pan' s research literature,the author's innovations and research methods.The first chapter of the article mainly explores the relationship between self-identity and self-portraits,including the traceability of self-identity,the relationship between self-portrait and self-identity;The second chapter is the core content of this article,discusses the causes of Yulin pan's self-identification,and combines related theories with Yulin pan's special growth experience to analyze Yulin pan's identity,group identity,gender identity,cultural identity,and ethnic emotional identity;The third chapter concludes the contradictions of Yulin Pan's self-identification,summarizes the pluralism and transmutation of YulinPan's self-identification,and considers the relationship between the contradiction of self-identification and current art.The conclusion part puts Yulin Pan in the transition period of Chinese society and positions her,to points out the era characteristics of Yulin pan's self-identity.