The Creation And Performance Analysis Of "3 Hungarian Folksongs From Csik",Sz.35a

Béla Viktor János Bartók,one of the new nationalist composers of the 20 th century,always relied on Hungarian folk music.His works always rely on Hungarian folk music,fully integrate his own creation with Hungarian folk songs,not only with original composition technology to process and deal with these folk music,but also the perfect integration of folk music materials into their own works.Bartók's life collected nearly ten thousand folk songs and created a large number of excellent folk songs adaptation,"3 Hungarian Folksongs from Csik" is a relatively early one.This work is not redundant,cumbersome decoration,is also more simple,even rough,but it is persuasive enough,whether from the music style,rhythm or tone harmony,Bartók's style has been fully displayed.This thesis will study this work from several aspects: the origin of national music in Bartók,the creation and performance interpretation of “3 Hungarian Folksongs from Csik”,and the embodiment of nationality in Bartók.And the research must be based on the actual performance,so the author also put their actual performance experience into it,for touch key,tone,pedal and speed to make a detailed explanation.Bartok's success lies not only in his deep excavation of folk music,but also in his integration of innovative modern composing techniques with traditional folk songs,and his creation of these national adaptations has rich research value.