| In the 20 th century Chinese art history,Li Keran’s artistic achievements are very high,and he is recognized as a pioneering landscape painter.His outstanding achievements lie in the innovation of landscape painting,leading a generation of fashion,and making outstanding contributions to the modernization of Chinese landscape painting.His landscape paintings originated from tradition,but they are quite different from the ancients in terms of the rhythm and aesthetic taste of brush and ink.At the same time,he did not reject the advantages of Western painting techniques and theories,and inclusiveness became his painting proposition.His devoted research on the innovative ideas and methods of Chinese landscape painting still plays an important practical guiding role in today’s era.The current painting shows a diversity of characteristics.The study of Li Keran’s landscape painting has the characteristics of the times,which can enrich the understanding of contemporary modern landscape.Li Keran’s paintings have exerted a far-reaching influence on Chinese modern and later painting circles.Li Keran not only extensively absorbed the advantages of the ancients,but also held an open attitude towards western paintings.In his works,Chinese literary freehand brushwork coexists with Western realism,and the combination of aesthetic and expressive techniques of the times creates the unique pattern of "Black Mountain Backlight" of Li Jia landscape.Therefore,it is quite necessary to study Li Keran’s landscape painting style and its formation process today,and it has a strong guiding significance for today’s people to learn painting.The creation of his own traditional Chinese painting draws on the characteristics of Li Keran’s landscape painting,and combines with other landscape painting works to make a concrete analysis of his pen,ink,composition and other aspects.Especially Li Keran tried to apply his own traditional Chinese painting creation with his thick and steady pen-and-ink style,unconstrained composition,and the style characteristics of the unity of pen-and-ink interest and aesthetics of the times. |