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Research On Decentralized Landscape Of Chinese Self-made Network Drama

Posted on:2020-06-13Degree:MasterType:Thesis
Country:ChinaCandidate:Y N LiFull Text:PDF
GTID:2415330623459273Subject:Literature and new media
Abstract/Summary:PDF Full Text Request
The network self-made videos are original TV series independently produced by the video sites.They are popular,modern and witty.China has seen the steady development of these videos along with the growth of the Internet.They are widely accepted by audience as they integrate features from traditional films and TV plays and absorb attributes from various Internet medias.They are gradually shaped and changed by several cultural and social elements.For instance,the narrative pattern and audio-visual language of these videos are more innovative.Moreover,the communication mechanism has broken through the tradition.There are also diversified market demands and reconstructed aesthetic values.Nowadays,online self-produced dramas are constantly impacting,changing,and even reconstructing the traditional media ecology with their fierce cultural strength,showing a grand decentralized landscape.The decentralized landscape of the network self-made drama is a deconstruction phenomenon of the post-modern traditional authority.But it does not absolutely deny the authority center,but forms multiple centers,that is,an open,flat and diversification systemic phenomenon or structure is presented in the network self-made drama.The main body of this paper consists five parts.The introduction part introduces the origin of the topic,reviews relevant literatures,and clarifies the objects of this research.The theoretical value and practical value of this topic are analyzed,and the basic issues such as the research scope and research direction are expounded.The first chapter defines the concept of online self-made drama,and sorts out the basic types and basic characteristics of online self-made drama in more detail.It brings out and goes straight to the topic.Research object is discussed for the following chapters.The second chapter defines the concepts of decentralization and landscape,and focuses on the development of the network-made drama in China.The emergence of decentralized landscapes is not a random historical product.It is an inevitable result of technological,social and human development.Therefore,this chapter analyses various elements that shapes them.It includes network culture,popular culture,cultural genes of post-modern culture and other social motives.The third chapter discusses the specific representation of the decentralized landscape of the network self-made drama.It elaborates the unique characteristics of the decentralized landscape from the aspects of narrative mode,audio-visual language,communication mechanism and market demand,and explores the innovation of the network-made drama creation mode in depth.The change of the creative subject and the change of the creative audience are also discussed.The fourth chapter deeply analyzes the aesthetic construction and cultural connotation of the decentralized landscape of online self-made drama from the cultural perspective.It concludes that the aesthetic aspects of self-made dramas transcend the fixed and orderly visual paradigm of traditional visual culture from the cultural level or the platform perspective.They demonstrate a more free,dynamic and diverse decentralized landscape.
Keywords/Search Tags:self-made network drama, decentralization, landscape, postmodern culture
PDF Full Text Request
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