Study On The Concept Of Inner Mongolian Chinese Poetry Since The New Period

Since the new period,The concept of Inner Mongolian Chinese poetry has formed a beautiful scenery in the north of Chinese poetry circle with its unique national and regional poetic characteristics in the intergenerational changes of the 1980 s,1990s and the new century.The concept of Inner Mongolian Chinese poetry has gradually formed two important clues,that is stick to the "traditional" of prairie poetry and to pursue the "modernity" of pioneer poetry.Based on the cultural context of a particular era and the poets’ creation practice,this paper studies the inheritance,transformation and innovation of intergenerational poetry concepts,and then clarifies the overall direction of the creation of Inner Mongolian Chinese poetry since the new period.With the promotion of theoretical texts,this paper provides guidance and reference for the development of poetry practice.The thesis is mainly composed of five parts: the introduction defines the object of study,describes the research status and methods,and explains the research significance.The first chapter discusses the emergence of the concept about " Return poetry ",and studies the background and concept of " Return poetry ".The second chapter discusses the evolution of the concept of " Prairie poetry ",analyzes the formation and development of " Prairie poetry ",and analyzes how the concept of " Prairie poetry ",which contains the nomadic tradition,is inherited and transformed between generations.The third chapter explains the formation of the concept of "Pure poetry",seeks the theoretical origin of "Pure poetry",and studies the representative poets and their poetry.The fourth chapter reveals the rise of the concept of "Folk poetry",and holds that the subculture choice of "Folk poetry" is to invade the official mainstream discourse with brinkmanship,and how does the folk stand extend and spread its influence in the new century.On the whole,the concept of Inner Mongolian Chinese poetry has gradually changed from a single mode to an open and pluralistic one,and its creation trend is characterized by the persistence of regionalism and localization,the integration of national consciousness and folk stand,and the interweaving of the traditional prairie poetry and modernity pioneer trends.