Research On The Composingtechniques And Characteristics Of 36 Pieces Of Mongolian Folk Piano Ditty

The ?36 pieces of Mongolian folk songs and Piano ditties?(hereinafter referred to as ?36 pieces of ditties?)composed by two inner Mongolia composers,Li Mo and Li Shixiang,is a piano work composed of Mongolian folk songs as musical materials.There are six pieces of piano music at each level from the first level to the sixth level,with 36 pieces in total.Therefore,the theme tone of piano ditty also comes from the melody of 36 Mongolian folk songs,such as ?gadamerin? ?Dhanapala? ?turhute? ?dayabohr? ?brother Dongshan? ?clear spring water? ?yellow mountain peak? ?little oriole bird? ?farewell song? and ?white cloud?.The 36 pieces of Mongolian folk songs piano ditty not only retains the style and characteristics of the original Mongolian folk songs,but also endows Mongolian folk songs with a new life piano music through the performance techniques of piano music and many three-dimensional editing techniques.This paper mainly analyzes and studies the composing method of 36 pieces of Mongolian folk piano ditties and the interpretation of Mongolian music style in piano performance.On this basis,it explains the social influence and the significance of music creation of this work.First of all,the ?36 pieces of Mongolian folk songs? and piano pieces are all created with the melody of Mongolian folk songs as the music material,so in the first chapter,the creation background,basic characteristics and other aspects of Mongolian folk songs used in this work are analyzed and elaborated,so as to study how the author reflects the original folk songs' thoughts and feelings in the adapted piano works.According to the contents of 36 pieces of songs,the author divides them into three parts: songs about homesickness,such as home town of ?Torgut?,?dayabohr?,?song of sending off relatives?,songs about friendship,such as? brother Bruce Lee?,?brother Dongshan?,?chrysanthemum girl?,etc.,and narrative materials,such as? gadamerin?,?dayabala ?and ?noonjiya ?Line analysis and discussion.Secondly,the second and third chapters mainly analyze and discuss the composing techniques used in each of the 36 pieces of Mongolian folk piano ditty from the perspective of composing technique theory.On the basis of retaining the theme of the original folk songs,? 36 pieces of songs pursue the creation of individual folk songs?;in the arrangement of musical texture,the creative use of polyphony thinking,through the use of harmony to make the original folk songs threedimensional,the original folk songs' paragraph structure developed into a single two part or single three part structure and variations,etc.,which are studied and elaborated in detail.Finally,?36 pieces of Mongolian folk song piano ditty?is a rich supplement to the creation of Mongolian folk song piano works and Chinese folk song piano suite.On the basis of the specific analysis of the first three chapters,the fourth and fifth chapters are mainly to summarize some innovations in the creative techniques of ?36 pieces of Mongolian folk piano ditty?,and explain the significance of this work in piano music creation.?36 pieces of Mongolian folk song piano ditty?is one of the representative works of Inner Mongolia piano works,and also one of the influential works of Chinese folk song theme piano suite.In China,there is no in-depth analysis and Research on this work.Therefore,the author believes that the research on the new work ?36 pieces of Mongolian folk piano ditty? has important theoretical and practical significance.In the writing of this paper,the author mainly combines the research methods of composition theory and ethnomusicology.After a detailed performance practice and in-depth analysis of the work,the author expounds his preliminary understanding and summary of the understanding,creation,performance and analysis of the work.Please correct any improper points.