Study On The Art Of "Houshandiao" In Pashandiao In Inner Mongolia

Pashandiao is a short tune folk song widely spread in the central and western regions of Inner Mongolia.It is the product of the fusion of Shanxi and Shanxi culture and grassland culture.It is an important part of Chinese folk music.It is also a bridge for people to study history language habits,living customs,aesthetic tastes and ideological traditions of the people of northern Serbia.According to the regional characteristics can be divided into "Qianshandiao"," Houshandiao ","Hetaodiao ","Houtaodiao"," Yimengdiao",and so on,is called the same folk songs,this article based on the field survey of Pashandiao in Wuchuan County,focusing on the regional color of " Houshandiao ",to explore its source and stream development,inheritance status,aesthetic value and other issues.This paper is divided into four parts.The first chapter introduces the historical origin of Pashandiao and combs its art schools,defines the concept and regional scope of Pashandiao in Inner Mongolia,reviews its development course,and analyzes its living environment from three aspects: geography,history and folk custom.Through the analysis,it shows that the regional characteristics,humanistic history and folk customs will have an impact on the singing style,expression content and artistic characteristics of the "Houshan" Pashandiao tune.The second chapter,based on the author's field investigation,examines the artistic experience,inheritance pedigree,inheritance status and protection measures of Wusanjun,the inheritor of the national intangible cultural heritage "Houshandiao ",and selects the original Pashandiao drama " Qingshan Children " as a case study,and discusses the role and influence of Wulan pastoral riding in the inheritance of "Houshandiao " in Wuchuan County.It is recognized that inheritance is the only way to make the "Houshandiao" continue vitality,and the cultural self-confidence and cultural identity from the heart of each inheritor is the fundamental to make it continuous and fresh.The third chapter discusses the aesthetic value and cultural connotation of "Houshandiao" from the perspective of Chinese traditional aesthetics.Chinese traditional aesthetics pays attention to theaesthetic characteristics of "artistic conception "," charm ","magnificent beauty "," combination of deficiency and reality "," unity of nature and man" and so on.The working people of Wuchuan county take the real life as the content,use various expression techniques,have created the lyrics of "Houshandiao" with profound artistic conception and long lasting charm,express or happy,or heavy,or sad,or sad,or sad feelings,everywhere embodies the wisdom and beauty of life,is the barometer of the times.The multi-cultural connotation and aesthetic characteristics contained in the "Houshandiao" are important ways for us to explore the cultural psychology and aesthetic orientation of people in the northern foothills of yin mountain.On this basis,it is necessary for us to create more excellent works which are not without losing their original characteristics but also have high grade and accord with the aesthetic taste of contemporary people.The fourth chapter starts with the relationship between "Houshandiao" and homologous folk songs,compares them with "Qianshandiao"," Hetaodiao"," Manhandiao" and "Errentai" from historical background,regional difference,tune style and so on,refines the similarities and differences between several homologous folk songs,and highlights the unique regional style of "Houshandiao".Only by distinguishing between the "Houshandiao" and the homologous folk songscan we make the innovative works not its original taste,more appropriate to the life of the local people,and make the creation more suitable for the aesthetic taste of the local people,so as to better inherit it.