Research On The Relationship Between Thangka And Printed Thangka In Qing Dynasty

Tangka and Plate Tangka in the Qing Dynasty are an important part of Chinese Buddhist art,and a bright pearl in the Tibetan region of China.Not only is it rich in content,but it is also diverse in form,and it is varied.The printed Donka is not only a kind of Donka,but also one of the main ways of Communication of Tangka,both in quality and quantity to push the Buddhist prints to unparalleled heights.The main spread areas of Tangka Buddhist Tangka in the Qing Dynasty from 18 th to 19 th century were(domestic)Tibetan,Mongolian,Central Plains,(foreign)India and other regions.Under the specific historical background,The Buddhist Tangka in various regions has produced diversified Buddhist Tangka art on the basis of its own national culture and the culture and art of other nationalities or countries.So the donkas of each region are influencing each other towards the most glorious period in history.Chapter One: Through the overview of The Tangka and the Edition Donka to understand the historical development,kinds,characteristics and the relationship between The Tangka and the plate Ofca,the second chapter: mainly with image analysis as an example,compared the Tangka,the plate-printed Donka and the Tibetan region The relationship between Tangka,plate-printed Tangka and frescoes;Chapter III: This paper expounds the types and characteristics of Tangka and the stone-cut printed Tangka of the Forbidden City,analyzes the image relationship between Tangka and the stone-cut printed Tangka,the image propagation function of indo-Tangka,and the impact of The Tangka image in the Qing Dynasty on the Tibetan region。...