An Analysis Of The Painting Art Market In The Yuan Dynasty

From the perspective of art history,Mongolian traditional graphics is one of the important ways of expression in Mongolian traditional decorative art.Since its birth in the 13 th century,it is still popular in Mongolian life,and the most prominent decorative pattern composition in Mongolian life.Its distinctive characteristics and long history make it a rare carrier in the study of Mongolian traditional culture.This paper is based on the thinking of Mongolian traditional graphic ontology,focusing on the internal basic principles of its formal composition system.On the basis of data collection,firstly,this paper defines the concept and source of Mongolian traditional graphics,and restores the historical context of artifacts graphics circulated in other countries in Europe and Asia in the 12 th and 13 th centuries.In the second chapter,the traditional graphic elements,such as rock paintings,bronzes and silk fabrics,are analyzed by graphic analysis,and the evolution of Mongolian traditional graphic composition style is pointed out.In the third chapter,the evolution of graphic composition system is closely related to the cultural exchange at that time.Based on the common point,the cultural connotation of Mongolian traditional graphic elements is analyzed.The fourth chapter explains what psychological motivation and aesthetic choice Mongolian traditional graphic forms reflect.On the basis of other people's research,this paper has some innovations,and summarizes and analyzes the aesthetic reasons of Mongolian traditional graphics.For many years,the academic circles only pay attention to the research of Mongolian pattern,but the whole research of Mongolian traditional pattern is a little weak.Mongolian traditional graphics has been applied to every corner of Mongolian People's life for its own reasons.The author tries to combine the research methods of image and literature analysis to comprehensively reveal the elements of Mongolian traditional graphics.