The Comparative Study Between YeKele In Altay Wulianghai Tribe And Bowstring Chor In Inner Mongolia Horqin Tribe

Yekele and bowstring Chor are the products of the homologous shunt of the Mongolian "horsetail Hu Qin musical instruments",and are the cultural treasures of the Mongolia music history.In recent years,because more and more experts and scholars pay attention to bowstring Chor,the theoretical research of bowstring Chor has gradually deepened,more and more performers have taken it to the stage.In addition,bowstring Chor performance course has been successively added in key universities inside and outside the region.Driven by theory,practice and education,bowstring Chor has a good prospect of sustainable development.Yekele can also learn from the development experience of bowstring Chor.Therefore,I think that through the comparative study of the two,we can further improve the theoretical research of Yekele,and lay a theoretical foundation for promoting Yekele to step on the stage and enter higher education.It is of great significance to protect and inherit national traditional culture,strengthen the protection of intangible cultural heritage,and promote the innovation and development of Mongolian traditional culture.Altay Wulianghai tribe in xinjiang is the most popular area of Yekele in China,lives a Wulianghai tribe Yekele folk artist Tuorla,she lives in Wulianghai tribe hemu village in buerjin county.Horqin tribe in the eastern part of Inner Mongolia gave birth to a traditional Mongolian stringed instrument,bowstring Chor,which is very similar to Yekele.Therefore,the author takes Wulianghai tribe Yekele and Horqin tribe bowstring Chor as the research object to carry on the comparative study.In chapter one and chapter two,the author introduces the human geography and music culture of Altay area Wulianghai tribe and Inner Mongolia area Horqin tribe respectively.The third chapter expounds the similarities and differences between Wulianghai tribe Yekele and Horqin's bowstring Chor in five aspects:regional culture,performance method,form and structure,traditional repertoire and artistic function.The fourth chapter puts forward some Suggestions on the protection and inheritance of Yekele.