In the second half of the twentieth century,the issue of ethnic form was one of the important issues facing the Chinese art world.Faced with this problem,the painters launched a multi-faceted discussion.During the period of socialist construction,how to combine realist painting concepts with traditional art forms to find a proper artistic language between revolutionary realism and romanticism.How to reach a new harmony between reflecting life and beautifying life and realizing the artistic ideal of "serving the people" is a common issue faced by painters and art workers of that era.In this historical and cultural background,Yuan Yunfu combined the elements of western modern art with Chinese tradition and folk art,integrated art forms with national aesthetic characteristics into realistic painting subjects,and created works with distinctive Chinese aesthetic style.Yuan Yunfu’s artistic experience is very unique.He participated in painting activities as a public artist.This makes him have the characteristics of tolerance and diversity in artistic creation.He is good at obtaining experience from things around him and traditional art forms,and integrates the thinking of art forms into the sketches of scenery.Rational aesthetic consciousness leads the way of artistic creation and has important reference value for the freehand discussion of contemporary painting.It can be said that through Yuan Yunfu’s unique gouache art style,we can see a powerful exploration spirit and explore the reconstruction method of traditional art forms in contemporary aesthetic culture.This article takes Yuan Yunfu’s gouache art style as the research object,and makes a more comprehensive exposition of his art style.First,from the perspective of sociology,Yuan Yunfu’s communication and teachers in the process of art formation were discussed,and the impact of his artistic life on his creation was explored.By analyzing the social factors of the New China period and the characteristics of gouache tools,he found gouache tools The prevailing necessity and the reasons behind Yuan Yunfu’s artistic creation.On the one hand,he pays attention to the source of life,the choice of the subject matter,and the reference to other paintings.On the other hand,he further analyzes the appearance of Yuan Yunfu’s gouache art style from his work form and art theory.Finally,explore the decorative nature of Yuan Yunfu’s gouache art style,trace the publicity of its artistic form,and form a comprehensive understanding of Yuan Yunfu’s artistic conception and creation through the internal connection between gouache sketching and public art creation.Through Yuan Yunfu’s study of the gouache art style,we may be able to restate the artistic features of an era within a certain range.The multi-dimensional discussion of Yuan Yunfu’s art also allows us to have more perspectives,to look at the possibilities of Chinese art in the process of exploring its own modernity. |