A Study Of Huriin-uliger "Ulijizharigala"

Huriin-uliger "Ulijizharigala" is an oral creation based on historical real figures.It is the research object of the influence of various Mongolian folk literature themes to reflect the relationship between history and art.This paper studies the source of the theme,the narrative content,the form and structure of the oral narrative of Ulijizharigala.The study of "Ulijizharigala" is based on the 26 hours and 26 chapters of recording materials of Hurqi Balajinima recording in Inner Mongolia TV station in 1988.Through the comparative study with the biography,legend and folk songs of Ulijizharigala,we can make clear the relationship between art and history,between Hurrin-ulger and other subjects of Mongolian Folk literature.The paper consists of four parts: introduction,body part,conclusion and appendix.The introduction part explains the reason of the topic,the general situation,the purpose,the significance and the research methods.The body part consists of three parts.In the first chapter,the author studies the source of the theme of Ulijizharigala.Based on the action of the historical character Ulijizharigala,Hurqi inherits the plot arrangement and character description of the traditional Hurrin-ulger,and at the same time adds the new content of the Mongolian custom and the Mongolian language description,and creates the Hurrin-ulger of the Mongolian national theme,which makes the theme content of Hurrin-ulger closer to the Mongolian history,culture and life.This is an important embodiment of the nationalization in the development of Hurrin-ulger.In the second chapter,the author studies the narrative content of Ulijizharigala.Although the content plot is based on historical real events,there are also contents inconsistent with history.This is the embodiment of the variety of oral culture.It doesn’t exist in history,but some of the contents added by Hurqi himself are to make Hurrin-ulger more interesting so as to win the attention of the audience and make the characters more prominent.The content and thought of Ulijizharigala by Hurrin-ulger is consistent with the folk songs about Ulijizharigala,but it is more authentic in accordance with the history.Compared with the legend of Ulijizazhigala,the content is more complete and comprehensive,and the artistic aspect shows the creative ability of Hurqi.In the third chapter,the author studies the form and structure of oral narration in Ulijizharigala by Hurrin-ulger from two aspects: the forming process and the structure of oral narration.In the process of oral narration,the social speech and the attitude of the narrator are embodied in Ulijizharigala.In the process of art formation,there is a traditional oral culture formula from the beginning to the end.This makes Hurrin-ulger form an oral narrative structure of new content and old structure.In addition,it also shows the combination of plot and story,the combination of narrative and lyrical oral narrative structure,forming a unique narrative art.In the conclusion part,the contents of the first three pieces are summarized.In the appendix section summed up the storie’s section and catalogue,based on the author’s carefully listening to the 26 hour oral text of Hurrin-ulger Ulijizharigala.