Research On The Metaphorical Features In "Poetic Animation"

In recent years,the creation of "poetic animation" has been greatly developed at home and abroad,so the theoretical study of "poetic animation" has become an important academic topic.Based on theoretical research on image rhetoric and image symbols,this article attempts to establish a connection between the theme of the image and the metaphorical features of the picture,so as to conduct an applied research on the characteristics and production mechanism of image metaphors.This article first rationalizes the development history of "poetic animation",clarifies the relationship between "poetic" image creation and artistic conception,and then briefly discusses the existence of metaphors,and then expands on the concept of time and space,which is poetic.The metaphorical environment of ideas and forms serves as a foundation.The classification characteristics of metaphoric chains and metaphor elements in "poetic animation" are categorized again,and examples are used to show the metaphorical characteristics in the works.Secondly,the article introduces a summary description of the metaphysical exploration of the poetic subject and the metaphorical performance of the other person’s viewing angle as "poetic animation".The discussion of the subjective spirit of the image creation and the perception of the audience,explores the impact of metaphorical connotation in these two aspects.On the one hand,the author further studies and explores the metaphorical characteristics of the image at the perceptual level.Based on the author’s graduation design work as an example,the generation mechanism of metaphor is discussed.On the other hand,after distinguishing between subject and object perception,the author discusses the era characteristic category of the metaphoric characteristics of "poetic animation".In the text,the author also elaborates on the following issues: first,the selection of outstanding film and animation video works,poetic paragraphs,poetic picture depiction;second,through the order of time development of the outstanding video works Discussionon the concept and content and the relationship to society;third,the author’s creative works to show the metaphorical concept of analogy and unfamiliarity in concrete content;fourth,the analysis and thinking of the perspective of the video In this aspect,the discussion is carried out;finally,it rises to explore the relationship between the perception of the object and the connotation of the poetic subject,and studies the fusion of the subjective mood of the "poetic animation" and the audience’s object perception from a cognitive perspective.