Research On Composer Luan Kai’s "Folk Song Neoclassical" Works

In the context of the development of Chinese traditional culture,traditional music occupies an important position,and has become an important symbol and imprint of traditional culture.The development of traditional music presents a style of "a hundred flowers blooming,each with its own characteristics".It has nurtured and developed many excellent art forms,and ethnic vocal music is one of them.With the continuous and stable development of China’s economy and society,under the influence of popular music in the new period and even the entire popular culture,some new changes have begun to appear in the national vocal art.At the same time,these new changes have also caused no small challenges to the development of national vocal music.This requires the active response of national vocal practitioners.Of course,many contemporary musicians and composers began to actively explore the prospects of the development of national vocal music,and made positive efforts for it,but also achieved remarkable results.Luan Kai is an outstanding representative.Luan Kai,who grew up in an "art family",has not only been influenced by traditional literature and art since he was a child,but also received a long-term music class education,so he can integrate classical and modern,absorb the music nourishment of China and the West,therefore,it has formed its own characteristics of music creation.The research work of this paper is based on this background,that is,starting from Mr.Luan Kai’s creation,focusing on the concept of "Folk Song Neoclassical" put forward by him,and combining his two representative works "Drunk In Eternal Love" and "A Dream of Red Mansions" to carry out the interpretation and exploration of the topic.In this paper,first of all,Luan Kai’s personal experience,as well as the concept and meaning of "Folk Song Neoclassical",and then focus on "Drunk In Eternal Love" and "A Dream of Red Mansions" as research cases,analyze the music style,artistic characteristics and singing points of these two works.Through such research,we can basically come to the conclusion that: led by Luan Kai’s "Folk Song Neoclassical","Drunk In Eternal Love" and "A Dream of Red Mansions" embody the advantages of the combination of national vocal music creation and modern music style;the "Folk Song Neoclassical" works of folk songs combine traditional national vocal music,musical instruments and modern art song techniques,musical elements,and creative It enriches the artistic connotation and singing level of this kind of songs,greatly improves the popularity and general moderation of the songs;"Folk Song Neoclassical" songs taketraditional culture as the cornerstone and traditional national vocal music art as the basis,with the focus on promoting the modernization and rejuvenation of national vocal music,opening up a modern development channel for national vocal music,and realizing its faster and better development.Therefore,this paper focuses on the musicality and singing methods of "Folk Song Neoclassical".In essence,it takes off the cocoon,finds out the general rules and characteristics,and then enlightens others,strives to promote the popularization and promotion of the concept of "Folk Song Neoclassical",and helps the healthy development of national vocal music.